How is Richard Wright's The Man Who was Almost a Man a coming of age story?

As the title suggests, Dave is poised between boyhood and adulthood. In various ways, all of the other figures in the story—Dave's parents, Hawkins, and the unnamed men he works with—threaten Dave's fragile sense of manhood. Dave's problem is that he is almost a man, yet his lack of social and economic power make him acutely aware that he is not quite one.

The story is structured around Dave's quest for a gun as a symbol of power, maturity, and manhood as well as the ironic results of attaining this wish— his further loss of pride and autonomy. However, the story's conclusion—Dave's impulsive decision to break free from the setting that belittles him by jumping on a northbound train—suggests a more successful passage toward maturity and independence.