How does Eduardo feel about Panebianco after he visits the reconstructed site at Ferramonti di Tarsia in the book, Mourning, A Novel?

Eduardo views Panebianco's reconstruction of the site at Ferramonti di Tarsia concentration camp, as representing the commodification of suffering. As the director of the reconstructed camp, Panebianco willingly accepts money from tourists to preserve a site where heinous atrocities and ills against Jews were committed.