The Basic Training of Pavlo Hummel Test | Final Test - Hard

This set of Lesson Plans consists of approximately 190 pages of tests, essay questions, lessons, and other teaching materials.

The Basic Training of Pavlo Hummel Test | Final Test - Hard

This set of Lesson Plans consists of approximately 190 pages of tests, essay questions, lessons, and other teaching materials.
Buy The Basic Training of Pavlo Hummel Lesson Plans
Name: _________________________ Period: ___________________

This test consists of 5 short answer questions and 1 (of 3) essay topics.

Short Answer Questions

1. How does Ardell tell Pavlo that Parham died?

2. What does Yen believe about Wall, thus refusing to sleep with him?

3. What does Pavlo realize about the person on the other end of the phone that he previously did not know?

4. What disturbing activity does Brisbey dream of?

5. What does Towers address the trainees about in Act 2, Part 1 upon his arrival?

Essay Topics

Write an essay for ONE of the following topics:

Essay Topic 1

As the collage takes shape, we see how Pavlo joined the army in order to define himself, and we see how Pavlo ends, with a defined identity as a dead soldier. Using the platform of Rabe's anti-war sentiments that run throughout this play, explore how Rabe's choice to expose Pavlo's death so early on in the play creates an even more powerful statement against the fortunes of war.

Essay Topic 2

Plenty of sides to Pavlo are revealed as the play progresses, but the first to note at this early stage is Pavlo's innocence. Describe how Rabe illustrates Pavlo's innocence with examples to back up your response. How does the fact that Pavlo's innocence seems to remain unaffected by increasingly disturbing situations have the propensity to evoke concern from the audience for Pavlo's welfare as time goes on? Back up your reasoning through citation of examples.

Essay Topic 3

The argument could be made that Pavlo's willful and continuous acts of denial spring from a classic tragic flaw. In the same way as classical characters of potential greatness like Oedipus, Hamlet, or Macbeth are brought to destruction by flaws of character (pride, indecision, or ambition), Pavlo is conceivably a character of potential greatness deeply flawed by self-delusion. The counter to this argument is that we never actually see Pavlo's greatness, not even a glimpse of it. In fact, from the beginning, he is portrayed as both loser and lost, defining his identity through the actions and example of other people. Does this make him any less tragic, or does his death portray him as the definitive victim? Choose a side to argue and consistently refer to examples from the book to back up your argument.

(see the answer keys)

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