Discuss the non-plot parallels between Mourning Becomes Electra and the classical Greek tragedies it is based on.
How do Orin and Lavinia begin to resemble their parents, not only in appearance, but in the very words they speak by the end of the play? What are the thematic implications of this metamorphosis?
Discuss how O'Neill uses the classical Greek tragedies The Oresteia by Aeschylus, Electra by Sophocles, and Electra by Euripides. What components of the plots are used in Mourning Becomes Electra?
Discuss the specific character parallels between the Greek tragedies and Mourning Becomes Electra. What are some of the significant differences between characters that give a different resonance to O'Neill's play?
Discuss how the setting and stage direction in Mourning Becomes Electra are as significant to the plot as the characters, giving five specific examples.
How is love evoked throughout the novel as a justification for sins...
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