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| Start of eBook | 1 |
| BIBLIOGRAPHICAL | 1 |
| THE MAN OF LETTERS AS A MAN OF BUSINESS | 2 |
| I. | 3 |
| II. | 4 |
| III. | 5 |
| IV | 7 |
| V. | 8 |
| VI. | 9 |
| VII. | 13 |
| VIII | 15 |
| IX. | 18 |
| X. | 19 |
| XI. | 22 |
| PG EDITOR’S BOOKMARKS: | 23 |
| CONFESSIONS OF A SUMMER COLONIST | 24 |
| I. | 24 |
| II. | 25 |
| III. | 27 |
| IV | 28 |
| PG EDITOR’S BOOKMARKS: | 35 |
| THE EDITOR’S RELATIONS WITH THE YOUNG CONTRIBUTOR | 35 |
| I. | 35 |
| II. | 37 |
| III. | 38 |
| IV. | 38 |
| V. | 40 |
| VI. | 42 |
| PG EDITOR’S BOOKMARKS: | 43 |
| LAST DAYS IN A DUTCH HOTEL | 43 |
| I. | 44 |
| II. | 45 |
| IV | 48 |
| V. | 49 |
| VI. | 50 |
| VII. | 50 |
| VIII. | 51 |
| LITERATURE AND LIFE—Some Anomalies of the Short Story | 52 |
| SOME ANOMALIES OF THE SHORT STORY | 52 |
| I. | 52 |
| II. | 53 |
| III. | 55 |
| IV. | 56 |
| V. | 58 |
| VI. | 59 |
| LITERATURE AND LIFE—Spanish Prisoners of War | 60 |
| SPANISH PRISONERS OF WAR | 60 |
| I. | 60 |
| II. | 62 |
| III. | 64 |
| IV. | 66 |
| LITERATURE AND LIFE—American Literary Centers | 67 |
| AMERICAN LITERARY CENTRES | 67 |
| I. | 68 |
| II. | 69 |
| III. | 70 |
| IV. | 71 |
| V. | 72 |
| PG EDITOR’S BOOKMARKS: | 75 |
| THE STANDARD HOUSEHOLD-EFFECT COMPANY | 75 |
| I. | 75 |
| II. | 79 |
| PG EDITOR’S BOOKMARKS: | 83 |
| STACCATO NOTES OF A VANISHED SUMMER | 83 |
| I. | 83 |
| II. | 84 |
| III. | 86 |
| IV. | 87 |
| V. | 88 |
| PG EDITOR’S BOOKMARKS: | 89 |
| CONTENTS: | 90 |
| WORRIES OF A WINTER WALK | 90 |
| I. | 90 |
| II. | 92 |
| III. | 94 |
| SUMMER ISLES OF EDEN | 95 |
| I. | 96 |
| II. | 96 |
| III. | 98 |
| IV. | 100 |
| WILD FLOWERS OF THE ASPHALT | 101 |
| I. | 102 |
| II. | 103 |
| III. | 103 |
| IV | 104 |
| A CIRCUS IN THE SUBURBS | 105 |
| I. | 105 |
| II. | 106 |
| III. | 107 |
| IV. | 108 |
| A SHE HAMLET | 108 |
| I. | 109 |
| II. | 110 |
| III. | 112 |
| THE MIDNIGHT PLATOON | 113 |
| I. | 114 |
| II. | 115 |
| III. | 116 |
| IV. | 117 |
| V. | 117 |
| THE BEACH AT ROCKAWAY | 117 |
| I. | 118 |
| II. | 119 |
| III. | 121 |
| IV. | 122 |
| V. | 122 |
| VI. | 123 |
| SAWDUST IN THE ARENA | 124 |
| I. | 124 |
| II. | 125 |
| III. | 126 |
| AT A DIME MUSEUM | 127 |
| I. | 127 |
| II. | 131 |
| AMERICAN LITERATURE IN EXILE | 132 |
| I. | 132 |
| II. | 133 |
| THE HORSE SHOW | 134 |
| I. | 134 |
| II. | 136 |
| III. | 138 |
| IV. | 139 |
| THE PROBLEM OF THE SUMMER | 140 |
| I. | 140 |
| II. | 141 |
| III. | 142 |
| AESTHETIC NEW YORK FIFTY-ODD YEARS AGO | 143 |
| I. | 143 |
| II. | 145 |
| FROM NEW YORK INTO NEW ENGLAND | 146 |
| I. | 147 |
| II. | 148 |
| III. | 149 |
| IV. | 150 |
| V. | 151 |
| THE ART OF THE ADSMITH | 153 |
| I. | 154 |
| II. | 154 |
| III. | 156 |
| THE PSYCHOLOGY OF PLAGIARISM | 157 |
| I. | 158 |
| II. | 159 |
| PURITANISM IN AMERICAN FICTION | 160 |
| I. | 161 |
| II. | 162 |
| THE WHAT AND THE HOW IN ART | 163 |
| I. | 164 |
| II. | 165 |
| III. | 166 |
| POLITICS OF AMERICAN AUTHORS | 167 |
| I. | 167 |
| II. | 168 |
| III. | 169 |
| IV. | 170 |
| STORAGE | 171 |
| I. | 171 |
| II. | 173 |
| III. | 176 |
| IV | 177 |
| I. | 179 |
| II. | 179 |
| III. | 181 |
| IV. | 184 |
| V. | 185 |
| VI. | 186 |
| PG EDITOR’S BOOKMARKS: | 187 |
| BIBLIOGRAPHICAL | 188 |
| I. THE BOOKCASE AT HOME | 190 |
| II. GOLDSMITH | 194 |
| III. CERVANTES | 198 |
| IV | 201 |
| V. FIRST FICTION AND DRAMA | 203 |
| VI. LONGFELLOW’S “SPANISH STUDENT” | 205 |
| VII. SCOTT | 206 |
| VIII. LIGHTER FANCIES | 207 |
| IX. POPE | 208 |
| X. VARIOUS PREFERENCES | 213 |
| XI. UNCLE TOM’S CABIN | 214 |
| XII. OSSIAN | 215 |
| XIII. SHAKESPEARE | 216 |
| XIV. IK MARVEL | 222 |
| XV. DICKENS | 224 |
| XVI. WORDSWORTH, LOWELL, CHAUCER | 230 |
| XVII. MACAULAY | 234 |
| XVIII. CRITICS AND REVIEWS | 236 |
| XIX. A NON-LITERARY EPISODE | 237 |
| XX. THACKERAY | 239 |
| XXI. “LAZARILLO DE TORMES” | 243 |
| XXII. CURTIS, LONGFELLOW, SCHLEGEL | 246 |
| XXIII. TENNYSON | 247 |
| XXIV. HEINE | 253 |
| XXV. DE QUINCEY, GOETHE, LONGFELLOW | 257 |
| XXVI. GEORGE ELIOT, HAWTHORNE, GOETHE, HEINE | 260 |
| XXVII. CHARLES READE | 263 |
| XXVIII. DANTE | 266 |
| XXIX. GOLDONI, MANZONI, D’AZEGLIO | 269 |
| XXX. “PASTOR FIDO,” “AMINTA,” “ROMOLA,” “YEAST,” “PAUL FERROLL” | 273 |
| XXXI. ERCKMANN-CHATRIAN, BJORSTJERNE BJORNSON | 275 |
| XXXII. TOURGUENIEF, AUERBACH | 277 |
| XXXIII. CERTAIN PREFERENCES AND EXPERIENCES | 279 |
| XXXIV. VALDES, GALDOS, VERGA, ZOLA, TROLLOPE, HARDY | 282 |
| XXXV. TOLSTOY | 285 |
| PG EDITOR’S BOOKMARKS: | 289 |
| I | 291 |
| II | 292 |
| III | 295 |
| IV | 296 |
| V. | 298 |
| VI. | 299 |
| VII. | 300 |
| VIII. | 301 |
| IX. | 301 |
| X. | 303 |
| XI. | 303 |
| XII. | 305 |
| XIII. | 307 |
| XIV. | 310 |
| XV. | 312 |
| XVII. | 314 |
| XVIII. | 317 |
| XIX. | 321 |
| XX. | 324 |
| XXI. | 326 |
| XXII. | 329 |
| XXIII. | 331 |
| XXIV. | 335 |
| XXV. | 336 |
| XXVI. | 339 |
| XXVII. | 342 |
| PG EDITOR’S BOOKMARKS: | 344 |
