Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3) eBook

This eBook from the Gutenberg Project consists of approximately 298 pages of information about Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3).

Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3) eBook

This eBook from the Gutenberg Project consists of approximately 298 pages of information about Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3).

“In the meantime the pedestal, which was interred 30 feet, was removed:  it was composed of two parts, the ogee and basement being of the same mass, and the plinth of white marble.  All the preparations were made for this last operation on the 10th of September, with the same solemnities; 140 horses and 800 men were employed.  The pope selected this day for the solemn entrance of the duke of Luxembourg, ambassador of ceremony from Henry III. of France, and caused the procession to enter by the Porta Angelica, instead of the Porta del Popolo.  When this nobleman crossed the Piazza of St. Peter’s, he stopped to observe the concourse of workmen in the midst of a forest of machines, and saw, admiring, Rome rising again by the hand of Sixtus V. In fifty-two movements the pyramid was raised, and at the setting of the sun it was placed firm upon its pedestal.  The castle disappeared, and the artificers, intoxicated with joy, carried Fontana on their shoulders in triumph to his own house, amidst the sound of drums and trumpets, and the plaudits of an immense crowd.

“In placing it upright on the pedestal, Fontana considered the method adopted by the ancients as the least difficult; which was to rest one end on two globes, then draw the point round, raising it at the same time, afterwards letting it fall perpendicularly on the pedestal.  It is conjectured that this was the practice adopted by the ancients, because two dies alone were always covered with lead for a foot or more, and were moreover crushed at the extremities.  Sixtus V. placed a cross 7 feet high at the top of the obelisk, which was carried in procession, and which made the whole height 132 feet.

“For this undertaking, Fontana was created a knight of the Golden Spur, and a Roman nobleman; he had a pension of 2000 crowns, transferable to his heirs, ten knighthoods, 5000 crowns of gold in ready money, and every description of material used in the work, which was valued at more than 20,000 crowns.  Two bronze medals of him were struck; and the following inscription was placed on the base of the pyramid by order of the pope:—­”

Dominicvs Fontana,
Ex.  Pago.  Agri.  Novocomensis. 
Transtvlit.  Et.  Erexit.

REMOVAL OF AN OBELISK FROM THEBES TO PARIS.

In 1833, the French removed the smallest of the two obelisks which stood before the propylon of the temple of Luxor to Paris, and elevated it in the Place de la Concorde.  The shaft is 76 feet high, and eight feet wide on the broadest side of the base; the pedestal is 10 feet square by 16 feet high.  Permission for the removal of both the obelisks having been granted to the French government by the Viceroy of Egypt, a vessel constructed for the purpose was sent out in March, 1831, under M. Lebas, an eminent engineer, to whom the undertaking was confided, it being previously determined to bring away only one, and M. Lebas found it sufficiently difficult to bring away the smallest

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Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3) from Project Gutenberg. Public domain.