Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3) eBook

This eBook from the Gutenberg Project consists of approximately 298 pages of information about Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3).

Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3) eBook

This eBook from the Gutenberg Project consists of approximately 298 pages of information about Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3).
of the two.  After three months’ labor with 800 men, the obelisk was removed on an inclined plane into the vessel, through a hole made in the end for the purpose.  It arrived safely up the Seine to Paris, Dec. 23d, 1833.  An inclined plane of solid masonry was then constructed, leading from the river up to a platform, also of rough masonry, level with the top of the pedestal.  The obelisk, having been placed on a kind of timber car or sledge, was drawn up by means of ropes and capstans.  One edge of the base having been brought to its place on the pedestal, it was raised to a perpendicular position by ropes and pulleys attached to the heads of ten masts, five on each side.  When all was ready, the obelisk was elevated to its place under the direction of M. Lebas, in three hours, without the least accident, Oct. 25th, 1836.  It is said that Lebas had provided himself with loaded pistols, in the firm determination to blow out his brains in case of an accident!

In 1820, the Viceroy of Egypt presented to the English government the monolith lying on the ground at Alexandria, one of the two obelisks called Cleopatra’s Needles; the other is still standing.  The project of removing it to London and erecting it in Waterloo Square, was entertained for some time by the English government, but seems to have been long abandoned; recently, however, an expedition is being fitted out for the purpose.

CARBURI’S BASE FOR THE EQUESTRIAN STATUE OF PETER THE GREAT.

Milizia gives the following interesting account of the removal of the immense mass of granite, which forms the pedestal or base of the equestrian statue of Peter the Great, from the bogs of the Neva to St. Petersburg, a distance of about fourteen miles.  He also cites it as an instance of extraordinary ingenuity and skill in mechanics.  It is, however, a much easier task to move a ponderous mass of rough, unhewn rock, than a brittle obelisk, an hundred feet or so in length, requiring the greatest care to preserve it from injury.  It is also worthy of mention, that in widening streets in New York, it is no uncommon thing to see a three-story brick house set back ten or fifteen feet, and even moved across the street, and raised an extra story into the bargain—­the story being added to the bottom instead of the top of the building.  Thus the large free stone and brick school-house in the First Ward, an edifice of four lofty stories, 50 by 70 feet, and basement walls 21/2 feet thick, has been raised six feet, to make it correspond with the new grade in the lower part of Greenwich-street.  It is also no uncommon thing to see a ship of a thousand tons, with her cargo on board, raised out of the water at the Hydraulic Dock, to stop a leak, or make some unexpected but necessary repairs.

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Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3) from Project Gutenberg. Public domain.