E

Eagle’s Eye, The, 181-183, 196, 274.

EDISON, 3, 78, 111, 172, 275, 297, 358-360.

Editing a Motion Picture, 227.

Editor, 20, 84, 85.

Educational films, 2, 3.

“EDWARDS, JOHN MILTON,” 82.

Eight Bells, 326.

Episode, 194.

ESSANAY, 77.

Everybody’s Girl, 363-407.

Expense of production, 268-281.

Exteriors, 20, 248, 249.

Extras, 21.

Extravaganza, 326.

F

Fade in, 21.

Fade out, 21.

FAIRBANKS, DOUGLAS, 2, 102.

“Faked” scenes, 269-272.

FAMOUS PLAYERS, 189, 190.

Farce, 2, 324, 325.

FARNUM, WILLIAM, 186.

Feature photoplays, 24, 188-193.

Fiction Factory, The, 82.

Fiction writing an aid to photoplay writing, 5-16.

Figaro, Paris, 308, 309.

FILDEW, WILLIAM E., 252, 253.

Film, 21, 22.

FINE ARTS, 253.

FISHER, “BUD,” 343.

Footage, 22.

Fox, 186-188.

Frame, 22.

FROHMAN, DANIEL, 304.

G

GOLDWYN, 85.

Grande Breteche, La, 348.

GREEN, ANNA KATHERINE, 138.

GRIFFITH, D.W., 153, 157, 167, 226, 336.

H

Hackneyed themes, 296-300.

HALEVY, LUDOVIC, 307.

Hamlet, 325, 326.

HARRISON, LOUIS REEVES, 91, 293.

HAZARD, FLOYD HAMILTON, 304, 322.

HAZLITT, WILLIAM, 338.

Heart-interest, 293, 305.

Hearts of the World, 157.

“HENRY, O.,” 201, 351, 352, 363.

HOADLEY, C.B., 132, 149.

HOAGLAND, HERBERT CASE, 134, 138, 301, 322, 356.

HOFFMAN, ARTHUR S., 305, 306.

How to Write a Photoplay, 134, 301, 356.

Human interest, 305, 306.

Humor:  See “Comedy.”

I

Idea, 22.

In the Country God Forgot, 82.

Incendiary Foreman, The, 273.

Insert, 22, 157-161, 218-244.

Interest centralized, 141-143.

Interpose, 22, 387.

Intolerance, 167, 168.

IRVING, SIR HENRY, 317.

IRWIN, MAY, 325.

J

JACOBS, W.W., 355.

JOHNSON, SAMUEL, 415.

K

Kaiser, The, 127.

KALEM, 132.

KATTERJOHN, MONTE M., 302.

KEENAN, FRANK, 320.

KEYSTONE COMEDY, 329.