Animals, 278, 279.

Annie Crawls Upstairs, 358-360.

ARTCRAFT, 79.

B

Backgrounds, 201.

BALZAC, 348.

BARRETT, CHARLES RAYMOND, 28, 74.

Bells, The, 317-320.

BIOGRAPH, 153, 155, 156, 201.

Blue Book, The, 355.

Bookman, The, 356.

Bottle Imp, The, 361.

BREWSTER, EUGENE V., 264, 265.

Brickdust Row, 363, 365.

Bringing Up Father, 343.

BROWNING, ROBERT, 358-360.

Burlesque, 325, 326.

BUSH, W. STEPHEN, 282, 283.

Bust, The, 17, 18, 163-166.

BYRNE BROTHERS, 326.

C

CABANNE, WILLIAM CHRISTY, 252.

Camera, 18.

Cameraman, 18.

Camera tricks, 181-185.

Cask of Amontillado, The, 348-350.

Cast, 18, 31, 32, 37, 109-130, 370.

Censorship, 282-289, 341.

Center of interest, 141-143.

Changes of scene, 144-161.

Characters, 18, 109-130, 140, 142, 315, 316, 337, 338.

Child actors, 279, 288.

Class Reunion, The, 353.

Cleopatsy, 342.

Climax, 26, 194.

Close-up, 18, 166-176.

COFFEY, ROBERT E., 297.

COHAN, GEORGE, 289.

COLLINS, WILKIE, 305.

Comedy Photoplays, 2, 83, 84, 324-346.

Coming Nation, The, 292, 293.

Complication, 89.

Conciseness, 198, 199.

Continuity:  See “Scenario.”

COOPER, FREDERICK TABER, 356.

Cooper-Hewitt lights, 247.

Cord of Life, The, 155, 156.

Costume plays, 280.

Count of Monte Cristo, The, 189, 190.

COWELL, HARRY, 75, 77.

Crime in photoplays, 284, 285.

Cut-back, 19, 152-157.

Cut-in, 19, 158-161, 233-237.

Cutting, 19.

D

Daphne and the Pirates, 253.

Denouement, 89.

Devil Stone, The, 236, 237, 321.

Dialogue, 3, 200, 201.

Diaphragm, 19, 20.

Diaphragming-in and -out:  See “Fade-in,” and “Fade-out.”

DICKENS, CHARLES, 185-187.

Director, 20, 115, 116, 212-214.

Doing a picture, 20.

Double exposure, 20, 185-188.

DOYLE, A. CONAN, 348-351, 354.

Dramatic Mirror, The, 140, 263, 357.

Dramatic photoplay, The, 2.

Dreams, 176-181.

DREW, JOHN, 333.

DREW, MR. AND MRS. SIDNEY, 329, 333-335.

Dual-character films, 185-188.

Duchess at Prayer, The, 348.

DUMAS, ALEXANDER, 189.