Elements of Military Art and Science eBook

This eBook from the Gutenberg Project consists of approximately 486 pages of information about Elements of Military Art and Science.

Elements of Military Art and Science eBook

This eBook from the Gutenberg Project consists of approximately 486 pages of information about Elements of Military Art and Science.

Artillery.—­Previous to the invention of gunpowder in the thirteenth century, the machines of war were divided between two classes of military men, the engineers (engignours, as they were called in the middle ages) and the artillery, (artilliers, as they were formerly called,) the latter being particularly charged with the management of the lighter and more portable projectile machines, such as the balistas and arco-balistas, which were used for throwing different kinds of arrows—­fleches, viretons, carreaux, matras, &c., while the former managed the battering-rams, cranes, helipoles, &c.  And, indeed, for a long time after the discovery of gunpowder, this distinction was kept up, and the artillery retained all the more ordinary projectile machines, while the engineers constructed and managed the more ponderous weapons of attack and defence.  But the new artillery was gradually introduced, without, however, immediately displacing the old, and there were for a time, if we may be allowed the expression, two artilleries, the one employing the old projectile machines, and the other those of the new invention.  The latter were called canoniers, to distinguish them from the former, who still retained the name of artilliers.

The first cannon were invented in the early part of the fourteenth century, or, perhaps, among the Arabs as early as the middle of the thirteenth century, but they were not much known in Europe till about 1350.  Cannon are said to have been employed by the Moors as early as 1249, and by the French in 1338.  The English used artillery at the battle of Crecy in 1346.  Both cannon and the ancient projectile machines were employed at the siege of Aiguillon in 1339, at Zara in 1345, at Rennes in 1357, and at Naples in 1380.  At this last siege the ancient balista was employed to throw into the castle of Naples barrels of infectious matter and mutilated limbs of prisoners of war.  We read of the same thing being done in Spain at a later period.

Cannon in France were at first called bombards and couleuverines, but were afterwards named from certain figures marked on them, such as serpentines, basilisks, scorpions,&c.  In the infancy of the art they were made small, weighing only from twenty to fifty pounds, and were mounted on small moveable carriages.  This species of fire-arms became quite numerous about the beginning of the fifteenth century.  They were followed by heavier pieces, used in the attack and defence of towns.  This siege artillery continued to be increased in dimensions till, towards the latter part of the fifteenth century, they reached such an enormous size as to be almost useless as a military machine.  Louis XI. had an immense piece constructed at Tours, in 1770, which, it was said, carried a ball from the Bastille to Charenton, (about six miles!) Its caliber was that of five hundred pounds.  It was intended for experiment, and burst on the second

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Elements of Military Art and Science from Project Gutenberg. Public domain.