Rochdale estate
Rochefoucault, ‘always right’
  Sayings of
Rogers, Samuel, esq., his ‘Pleasures of Memory’
  His ‘Jacqueline’
  ‘The Tithonus of poetry’
  ‘The father of present poesy’
  His Tribute to the memory of Lord Byron
  Lord Byron’s letters to
  See also
——­, Mr., of Nottingham (Lord Byron’s Latin tutor)
Rokeby, Lord Byron’s schoolfellow at Harrow
Roman Catholic religion
Romanelli, physician
Rome, ‘the wonderful’
  Finer than Greece
Romeo and Juliet, the story of
Rose, William Stewart, esq., his ‘Animali’
  His ‘Lines to Lord Byron’
Rose glaciers
‘Rose-water’
Ross, Rev. Mr. (Lord Byron’s tutor at Aberdeen)
Rossini, his ‘Otello’
Roscoe, Mr
Rossoe, Mr., story of
Roufigny, Abbe de
Rousseau, Jean Jacques, Lord Byron’s resemblance to
  Comparison between Lord Byron and
  His marriage
  His ‘Heloise’
  His ‘Confessions’
  Force and accuracy of his descriptions
Rowcroft, Mr
Royston, Lord Byron’s school-fellow at Harrow
Rubens, his style
Rushton, Robert (the ‘little page’ in Childe Harold)
  Lord Byron’s letters to
‘Ruminator,’ the, by Sir Egerton Brydges
Rusponi, Countess
Russell, Lord John
Rycaut, his ‘History of the Turks’ first drew Lord Byron’s attention
      to the East
  See, also

S.

St. Lambert, his imitation of Thomson
Sanders, Mr., his portraits of Lord Byron
‘Sappho,’ of Grillparzer
‘SARDANAPALUS,’ outline of the Tragedy sketched
  Four acts completed
  The play finished
  A disparagement of it
Sarrazin, General
Satan, Lord Byron’s opinion of his real appearance to the Creator
‘Satirist’
Scaligers, tomb of the
Scamander
Schiller, his ‘Thirty years War’
  His ‘Robbers’
  His ‘Fiesco’
  His ‘Ghost-seer’
Schlegel, Frederick, his writings
  Anecdotes of
‘School for Scandal’
School of Homer, Lord Byron’s visit to
Scotland, the impressions on Lord Byron’s mind by the mountain scenery
      of
  Lord Byron ‘Half a Scot by birth and bred a whole one’
  ‘A canny Scot till ten years’ old’
Scott, Sir Walter, his dog ‘Maida’
  His ‘Rokeby’
  The ‘monarch of Parnassus’
  His ‘Lives of the Novelists’
  His ‘Waverley’
  His first acquaintance with Byron
  His ‘Antiquary’
  His review of ‘Childe Harold’ in the Quarterly
  His ‘Tales of my Landlord’
  ‘The Ariosto of the North’
  The first British poet titled for his talent
  His ‘Ivanhoe’
  His ‘Monastery’
  His ‘Abbot’
  His imitators
  The ‘Scotch Fielding’
  His countenance
  His novels ‘a new literature in themselves’
  His ‘Kenilworth’
  His ‘Life of Swift’
  Lord Byron’s letters to
  See, also
Scott, Mr., of Aberdeen
——­, Mr. Alexander
——­, Mr. John
‘Scotticisms’