Scriptures, Lord Byron’s knowledge of the
  See, also, Bible
‘Scourge,’ proceedings against the, for a libel on Mrs. Byron
Sculpture, the most artificial of the arts
  Its superiority to painting
  More poetical than nature
Secheron
Self-educated poets
Sensibility
Separation, miseries of
Seraglio at Constantinople, description of
Sestos
Settle, Elkanah, his ‘Emperor of Morocco’
‘Seven before Thebes’
Seville
Seward, Anne, her ‘Life of Darwin’
‘Sexagenarian,’ Beloe’s
‘Shah Nameh,’ the Persian Iliad
Shakspeare, his infelicitous marriage
  ‘The worst of models’
  ‘Will have his decline’
Sharp, William (the engraver, and disciple of Joanna Southcote)
Sharpe, Richard, esq. (the ‘Conversationist’)
Sheil, Richard, esq. 
Sheldrake, Mr.
Shelley, Percy Bysshe, esq., his ‘Queen Mab’
  His portrait of Lord Byron
  Particulars concerning
  His visit to Lord Byron at Ravenna
  His praise of Don Juan
  Lord Byron’s letters to
  His letters to Lord Byron
  See also
——­, Mrs.
  Her ‘Frankenstein’
  Lord Byron’s letters to
Shepherd, Rev. John, his letter enclosing his wife’s prayer on Lord
      Byron’s behalf
  Lord Byron’s answer
Sheridan, Right Hon. Richard Brinsley, anecdotes of
  And Colman compared
  His eloquence
  His conversation
  ‘Whatever he did, was the best of its kind’
  Defence of
  His phoenix story
  ‘MONODY on the Death of’
‘Shipwreck,’ Falconer’s
Shoel, Mr.
Shreikhorn
Shrewsbury, Earl of, his letter to Sir John Byron’s grandson
Siddons, Mrs., her performance of the character of Isabella
  Lord Byron’s praise of
  Effect of her acting at Edinburgh
  An allusion to
‘SIEGE OF CORINTH’
Sigeum, Cape
Simplon, the
Sinclair, George, esq., ‘the prodigy’ of Harrow School
Sirmium
‘Sir Proteus,’ a satirical ballad
‘SKETCH,’ a
Skull-cup
Slave trade
Slavery
Sligo, Marquis of
  His letter on the origin of the ‘Giaour’
Smart, Christopher
Smith, Sir Henry
——­, Horace, esq., his ‘Horace in London’
——­, Mrs. Spencer.  See ‘Florence.’
——­, Miss (afterwards Mrs. Oscar Byrne), dancer
Smyrna, Lord Byron’s stay at
Smythe, Professor
Socrates
Sonnets, ‘the most puling, petrifying, stupidly platonic compositions,’
Sorelli, his translation of Grillparzer’s ‘Sappho’
  Sotheby, William, esq., his tragedies
  his ‘Ivan’ accepted for Drury Lane Theatre
  similarity of a passage in ‘Ivan’ to one in the ‘Corsair’
  a ‘row’ about ‘Ivan’
  the AEschylus of the age
  his ‘Orestes’
  See also
  Lord Byron’s letters to
Southcote, Joanna
Southey, Robert, esq., LL.D., his person and manners
  His prose and poetry
  His ‘Roderick’
  his ‘Curse of Kehama’
  Lord Byron’s intention to dedicate ‘Don Juan’ to him
  his ‘Joan of Arc’ would have