Tess of the d'Urbervilles eBook

This eBook from the Gutenberg Project consists of approximately 439 pages of information about Tess of the d'Urbervilles.

But he found that the mouldy old habitation somewhat depressed his bride.  When the carriage was gone they ascended the stairs to wash their hands, the charwoman showing the way.  On the landing Tess stopped and started.

“What’s the matter?” said he.

“Those horrid women!” she answered with a smile.  “How they frightened me.”

He looked up, and perceived two life-size portraits on panels built into the masonry.  As all visitors to the mansion are aware, these paintings represent women of middle age, of a date some two hundred years ago, whose lineaments once seen can never be forgotten.  The long pointed features, narrow eye, and smirk of the one, so suggestive of merciless treachery; the bill-hook nose, large teeth, and bold eye of the other suggesting arrogance to the point of ferocity, haunt the beholder afterwards in his dreams.

“Whose portraits are those?” asked Clare of the charwoman.

“I have been told by old folk that they were ladies of the d’Urberville family, the ancient lords of this manor,” she said, “Owing to their being builded into the wall they can’t be moved away.”

The unpleasantness of the matter was that, in addition to their effect upon Tess, her fine features were unquestionably traceable in these exaggerated forms.  He said nothing of this, however, and, regretting that he had gone out of his way to choose the house for their bridal time, went on into the adjoining room.  The place having been rather hastily prepared for them, they washed their hands in one basin.  Clare touched hers under the water.

“Which are my fingers and which are yours?” he said, looking up.  “They are very much mixed.”

“They are all yours,” said she, very prettily, and endeavoured to be gayer than she was.  He had not been displeased with her thoughtfulness on such an occasion; it was what every sensible woman would show:  but Tess knew that she had been thoughtful to excess, and struggled against it.

The sun was so low on that short last afternoon of the year that it shone in through a small opening and formed a golden staff which stretched across to her skirt, where it made a spot like a paint-mark set upon her.  They went into the ancient parlour to tea, and here they shared their first common meal alone.  Such was their childishness, or rather his, that he found it interesting to use the same bread-and-butter plate as herself, and to brush crumbs from her lips with his own.  He wondered a little that she did not enter into these frivolities with his own zest.

Looking at her silently for a long time; “She is a dear dear Tess,” he thought to himself, as one deciding on the true construction of a difficult passage.  “Do I realize solemnly enough how utterly and irretrievably this little womanly thing is the creature of my good or bad faith and fortune?  I think not.  I think I could not, unless I were a woman myself.  What I am in worldly estate, she is.  What I become, she must become.  What I cannot be, she cannot be.  And shall I ever neglect her, or hurt her, or even forget to consider her?  God forbid such a crime!”

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Tess of the d'Urbervilles from Project Gutenberg. Public domain.