The emotional quality of all Mr. Williams' serious work is essentially the same, and in theme, subject matter, and philosophy A Streetcar Named Desire is the classic Williams play. (p. 112)
Early in the proceedings Mr. Williams provides a clue to his intentions in his choice of names. He has a wonderful feeling for words and, like any poet, puts them to symbolic use. Belle Reve (beautiful dream), Elysian Fields (paradise), desire, cemetery, Blanche DuBois (white wood)—all combine to produce a double image of, on the one hand, a sublime purity too perfect to be real and, on the other, a reality (earthly passion, death) too harsh to tolerate that purity. The devastating impact of the latter upon the former is indeed the central theme that runs through most of Mr. Williams' work.
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