Williams, Tennessee (1911-1983)
An American playwright and screenwriter, Tennessee Williams was regarded in his literary prime with an equal measure of esteem and notoriety. After Eugene O'Neil...
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Biography EssayTennessee Williams's playwriting career spanned more than four decades and was marked by the highest acclaim, as well as the kind of critical controversy that is generated only by one w...
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Tennessee Williams (1911-1983), dramatist and fiction writer, was one of America's major mid-20th-century playwrights.Tennessee Williams was born Thomas Lanier Williams in Columbus, Mississippi, on Ma...
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The Glass Menagerie, A Streetcar Named Desire, Cat on a Hot Tin Roof, and Suddenly Last Summer: these plays are considered among the classics of twentieth-century American theatre. Their author, Tenne...
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Tennessee Williams's playwriting career, already spanning more than four decades, has been marked by the highest acclaim, as well as the kind of critical controversy that is generated only by one whos...
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In the following essay, Armato studies Williams's portrayal of human perceptions of death in his dramas, concluding that "underneath the guise of southern decadence, Tennessee Williams p...
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In the following essay, Palmer traces the impact and influence of Williams's writing on the development of American theater and film.
Williams on Film: Some Preliminary Thoughts
In the English-...
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In the following review, Peden offers a mixed assessment of One Arm and Other Stories.
Tennessee Williams's One Arm and Other Stories contains some stories which have greatness in them; of some...
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In the following essay, Grande argues that humanity's metaphysical alienation is a central theme of Williams's fiction.
Simultaneous with the New York Times advertisements for Tennessee ...
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In the following essay, Peden elucidates the defining characteristics of Williams's short fiction.
The short stories in Tennessee Williams (1914-), collected in One Arm (1948) and Hard Candy (1...
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In the following essay, Hurley views “Desire and the Black Masseur” as an allegory of spiritual masochism.
That Tennessee Williams' plays have been more successful than his fictio...
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In the following essay, Beaurline traces the adaptation of the short story “Portrait of a Girl in Glass” into the play The Glass Menagerie.
“Not even daring to stretch her small h...
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In the following essay, Reck identifies three ways Williams utilized his short fiction in his plays.
Especially for the Williams' loyalist, the playwright's current difficulties (The Mil...
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In the following essay, May investigates the cause of Brick's malaise and alienation in Cat on a Hot Tin Roof, arguing that Williams's story “Three Players of a Summer Game”...
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In the following essay, Derounian examines the connection between the story “The Kingdom of Earth” and Williams's later play Kingdom of Earth, focusing on his use of parody in bot...
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In the following essay, Vidal considers Williams's stories as the “true memoir” of the author and underscores the role of physical desire in his short fiction.
I
Thirty-seven year...
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In the following essay, Weaver provides an overview of Williams's early short stories.
His name was not really Tennessee, of course; it was Thomas Lanier Williams. Nor was he from Tennessee; he...
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In the following essay, Hitchcock demonstrates the significance of “The Vengeance of Nitocris” to Williams's later work.
Throughout his literary career, when asked about “l...
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In the following essay, Martin perceives “Hard Candy” and “The Mysteries of the Joy Rio” as revisions of Thomas Mann's Death in Venice and Tonio Kröger.
Tenne...
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In the following essay, Saddik explores the connection between homosexuality and cannibalism in “Desire and the Black Masseur” and Suddenly Last Summer.
If psychoanalysis were to have an...
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In the following essay, Wolter outlines the prevalent critical approaches to Williams's short stories.
Biographical Context
Tennessee Williams's obvious urge to publicize his personal di...
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In the following review, Hale analyzes the symbolism of the clock in “A System of Wheels.”
“A System of Wheels,” written around 1936 when Williams was twenty-five, recreate...
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In the following essay, Hale discusses autobiographical aspects of “The Preacher's Boy.”
In the Tennessee Williams papers at the University of Texas is an early undated story call...
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In the following essay, Kolin asserts that the story “Interval” “bears scrutiny as a disclosure of Williams's view of art, sex, and the imagination, all fused in America...
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In the following essay, Schiavi elucidates the role of feminine hunger in Williams's short fiction.
Throughout his “secondary” career as a fiction writer, Tennessee Williams repea...
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Critical Essay by Kenneth Tynan
[The article from which this excerpt was taken was originally published as "American Blues: The Plays of Arthur Miller and Tennessee Williams," in Encount...
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Critical Essay by Marion Magid
[Magid's essay, from which the following excerpt was taken, was originally published in Commentary, January, 1963.]
The total effect of Williams' work has ...
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Critical Essay by Harry Taylor
[Taylor's article, from which the following excerpt was taken, originally appeared in Masses and Mainstream, April, 1948.]
[If], as in Williams' case, ther...
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In the following essay, Sarote examines Williams's treatment of discrimination and resistance to mainstream American "normalcy" in his three major plays. According to Sarote, ...
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In the following essay, Presley identifies three philosophical dilemmas confronted by Williams's central characters—"isolation, the absence of God, and the reality of death....
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In the following essay, Bloom considers Williams's achievements and shortcomings as a major American playwright and the influence of poet Hart Crane on his work.
It is a sad and inexplicable tr...
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In the following essay, Timpane examines Williams's creation of female characters whose dynamic ambiguity resists the tendency toward idealization or oversimplification. Timpane contends that W...
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Critical Essay by John Simon
For some time now, any number of epigones have been turning out better imitation Tennessee Williams plays than Williams himself has written lately. As a result, Williams w...
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Critical Essay by M. A. Corrigan
Tennessee Williams' writing reveals a striking preoccupation with the problem of time. Like other modern dramatists, he has juxtaposed past and present, created...
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Critical Essay by Michael Lassell
Memoirs, which Williams consistently refers to as a "thing," moves back and forth between the near and distant past, between the struggle for success an...
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Critical Essay by John Whitty
Williams has written some of the most moving dramas of the modern theatre. He is such a grand old man that I suppose no one will tell him when a play simply stinks. And t...
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Critical Essay by Mary Ann Corrigan
In A Streetcar Named Desire Williams synthesizes depth characterization, typical of drama that strives to be an illusion of reality, with symbolic theatrics, which ...
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Critical Essay by Charles Marowitz
What has always fascinated me about Tennessee Williams, particularly in his early work, is the sense that the plays are never about what they appear to be about. The...
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Critical Essay by Michael Anderson
The storm-waters are rising around the farmstead somewhere in rural Mississippi when Lot, coughing ominously, comes back to the family home with his new bride; every...
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Critical Essay by Richard Gray
[Tennessee Williams takes] familiar characters, situations, and themes and then weaves them into a baroque conceit possessing neither original substance nor extrinsic va...
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Critical Essay by Nancy Baker Traubitz
Orpheus Descending is a better play than its dismal performance record suggests, a play which has yet to fulfill its potential in production but which even in th...
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Critical Essay by Ren Draya
Tennessee Williams is a good storyteller, as theater audiences have long known…. Unlike most playwrights who try their hands at different forms, Williams is a remark...
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Critical Essay by William J. Free
Critical dissatisfaction over Tennessee Williams' plays of the seventies has been almost unanimous….
[Critics charge that] Williams repeats himself by g...
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Critical Essay by Robert Brustein
If revenge is a dish that tastes best cold, then Donald Windham has certainly fixed himself a satisfying frozen dinner. He has published all the letters sent to him b...
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Critical Essay by W. Kenneth Holditch
The reader who approaches Tennessee Williams' Where I Live in the expectation of finding a unified statement of the playwright's philosophy of art o...
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Critical Essay by Foster Hirsch
Although they often contain sensational elements, Williams's plays are as moralistic as they are literary…. The plays are a series of moral allegories in ...
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Tennessee Williams was born in the south in Mississippi. His mother was Southern Gentle Woman. After the family was moved to St. Louis, his sister Rose became mentally unstable. But his family igno...
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