SOURCE: Chang, Hsiao-hung. “Cultural/Sexual/Theatrical Ambivalence in M. Butterfly.” Tamkang Review 23, nos. 1-4 (1992-93): 135-55.
In the following essay, Chang analyzes the trope of “cross-cultural dressing” in M. Butterfly in terms of the discourses of feminist politics, postcolonial studies, and deconstructivist theory.
