In his monograph David Henry Hwang (1989) Douglas Street insists that Hwang is "clearly a writer of the American West," even though Hwang's Westis far removed from that traditionally brought to mind b...
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David Henry Hwang is one of the most successful and prolific American dramatists at the end of the twentieth century. He challenges his audiences' notions of gender, race, and ethnicity and suggests t...
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In the following interview, which took place on September 7, 1996, Hwang muses on his early rise to fame, details the elements of playwriting that he focuses on, provides his view on Asian Americans i...
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In the following essay, Kingston applauds Hwang's ability to capture Asian-American language and memories in his plays and finds that his works give Asian Americans a sense of nostalgia and a f...
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In the following essay, Dickey explores the role of Asian men in The Dance and the Railroad and examines Asian female roles and the stereotype of Oriental submissiveness in M. Butterfly.
“I wri...
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In the following essay, Jiji studies the depiction of sexual roles, misogyny, and the interplay of dominance and submission in many relationships presented in Hwang's plays. Jiji argues that al...
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