Recognized as a present writer of the outdoor pageant play (in his words, "symphonic drama") and a past writer of regional, "folk," and experimental drama, Paul Green is another of those dramatists such as T. S. Eliot and Tennessee Williams who have turned to myth in search of universal meanings…. Green's plays written between 1920 (The Last of the Lowries) and 1934 (Roll Sweet Chariot) show a progress from folk materials and realistic manner toward a blend of folk-mythic matter and symbolic, anti-realistic technique. Green recapitulates, then, an historical development from the superficial American regionalism of the late nineteenth century to the search for deeper reality through myth, symbol and experimental form. (p. 62)
[It] is impossible not to see that from the very beginning Green was a most literary writer, both in exploring the areas of dramatic technique and in turning to literature as a source for idea and image. (p. 64)
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