Biography Essay"He was not of an age, but for all time." So wrote Ben Jonson in his dedicatory verses to the memory of William Shakespeare in 1623, and so we continue to affirm today. No other writer,...
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The English playwright, poet, and actor William Shakespeare (1564-1616) is generally acknowledged to be the greatest of English writers and one of the most extraordinary creators in human history.The ...
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Considered by critics, scholars, and the theater-going public the most important dramatist in the history of English literature, William Shakespeare occupies a unique position in the pantheon of great...
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"He was not of an age, but for all time." So wrote Ben Jonson in his dedicatory verses to the memory of William Shakespeare in 1623, and so we continue to affirm today. No other writer, in English or ...
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William Shakespeare's reputation is based primarily on his plays. With the partial exception of the Sonnets (1609), quarried since the early nineteenth century for autobiographical secrets allegedly ...
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T. G. Bishop, Case Western Reserve University
The sea, in fact, is that state of barbaric vagueness and disorder out of which civilisation has emerged, and into which, unless saved by the ef...
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Jonathan Hall
"Mercantilism and Desire in The Comedy of Errors," in Anxious Pleasures: Shakespearean Comedy and the Nation-State, Fairleigh Dickinson University Press, 1995, pp. 39-52.
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Maurice Hunt, Baylor University
Both critics and editors of The Comedy of Errors reveal a notable uncertainty over the social status of the Dromio brothers. Taking their cue from the designat...
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In the essay that follows, Scott claims that the success of the farcical form of The Comedy of Errors depends heavily on its structure.
The Comedy of Errors is a farce and as such belongs to an art...
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In the essay below, Slights studies the portrayal of personal and political relations in The Comedy of Errors.
‘We being strangers here, how dar'st thou trust …’
(I....
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In the following essay, Huston reads The Comedy of Errors as a comic representation of the instability of human behavior and experience, and examines the dissonantly tragic beginning and the lingering...
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In the essay that follows, Parker contends that the opening narration of the shipwreck is frequently misread, and elaborates on the significance of these lines in the context of the work's larg...
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In the essay below, Berry argues that the focus of The Comedy of Errors on “the archetypal experience of wandering, loss and rediscovery” reveals its origins in Greek drama.
To see Th...
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In the following essay, Leggatt focuses on the “interweaving of the fantastic and the everyday” in the play, contrasting it to Plautus' Menaechmi.
In the second scene of The Co...
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In the essay that follows, Riehle argues that The Comedy of Errors reflects a classically “pagan” orientation, in which the fantastical elements enhance rather than hinder the coherence ...
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In the following essay, Rudd compares the plot structure, characterization, and farcical elements of Plautus’ Menaechmi to The Comedy of Errors.
In comparing the two plays I shall quickly ou...
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In the essay that follows, Freedman defends The Comedy of Errors against criticism that contends it is an early and immature effort by tracing the problem of identity in both the frame plot and the ma...
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In the following essay, Lanier explores “the question of how the material conditions and practices of self-display in Elizabethan England relate to crises of self-display faced by Shakespeare...
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In the essay below, Feldman presents a psychological biography of Shakespeare based on a detailed analysis of the plot and characters of The Comedy of Errors.
Veterem atque antiquam rem novam ad vo...
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In the essay below, MacCary maintains that Antipholus of Syracuse is the primary focus of The Comedy of Errors, noting that his search for his brother may be viewed as a search for himself.
A commo...
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In the following essay, O'Brien asserts that Shakespeare exploited his Elizabethan audience's emotional response to The Comedy of Errors by suggesting that Antipholus of Syracuse is trul...
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In the excerpt below, Smallwood applauds Tim Supple's 1996 production of The Comedy of Errors, maintaining that it was straightforward and “attentive” to Shakespeare's lang...
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In the following review, Harvey offers high praise for the Aurora Theater’s production of The Comedy of Errors, finding it to be “entirely error-free.”
Solinus/Courtesan: Brian...
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In the review below, Hampton discusses a staging of Trevor Nunn and Guy Woolfenden's musical version of The Comedy of Errors, directed by John Rando, contending that the production honored the ...
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In the essay that follows, McDonald uses his examination of The Comedy of Errors to highlight Shakespeare's effort to construct meaning in farce and to demonstrate Shakespeare's affinity...
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In the essay below, originally published in 1991, Whitworth studies the romantic elements of The Comedy of Errors, urging that the play be recognized as romance in its form and in much of its substanc...
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In the essay below, Hall stresses that the crisis of identity experienced by Antipholus of Ephesus is related to his inability to honor his pledge as a merchant, and that through Antipholus of Syracus...
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In the following essay, Shaw evaluates The Comedy of Errors as Shakespeare's eclectic adaptation of Latin sources, and considers the playwright's recasting of classical dramas by Plautus...
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In the following review, Weber sees the Aquila Theater Company's 2002 production of The Comedy of Errors as flawed not in its individual performances, but in the undisciplined directorial decis...
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In the following essay, MacCary presents a psychoanalytic and genre-based reading of The Comedy of Errors that emphasizes its classical comedic sources together with its narcissistic and egocentric th...
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In the following essay, Crewe examines two idealizations of the playwright—one divinely omniscient, one the “good physician”—implied in The Comedy of Errors and explores th...
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In the following essay, Hennings studies the celebration of Christian ideals of marriage and family in The Comedy of Errors.
At exactly what time in his career Shakespeare wrote The Comedy of Error...
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In the following essay, Parker illuminates the significance of scriptural allusions to the structure and theme of The Comedy of Errors.
The Comedy of Errors is still part of the Shakespeare canon w...
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In the following essay, Christensen approaches The Comedy of Errors as a mercantile comedy that dramatizes tensions between the gendered spheres of public/commercial and private/domestic.
‘W...
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In the following essay, Bevington surveys Shakespeare's “creative reconfiguration of classical sources” in The Comedy of Errors with regard to late-sixteenth-century London theate...
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In the following excerpt, Maguire presents an overview of The Comedy of Errors that elucidates the drama's structural use of pairing and opposition in relation to its theme of marriage and its ...
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In the following essay, Babula examines The Comedy of Errors central characters and their fears of potentially destructive change.
The unity of The Comedy of Errors lies in the baffling contexts su...
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In the following essay, Garton suggests the significance of Shakespeare's use of Greek mythological sources in his naming and implicit characterization of the brothers Antipholus.
There exis...
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In the following excerpted review, Carnegy admires director Lynne Parker's farcical staging of The Comedy of Errors with the Royal Shakespeare Company at the Memorial Theatre in 2000 and praise...
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In the following review of the Bomb-itty of Errors, a hip-hop adaptation of Shakespeare's The Comedy of Errors performed in New York City in 2000, French highlights the design and musical eleme...
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In the following excerpted review, Smallwood describes Kathryn Hunter's The Comedy of Errors performed at the Globe Theatre in 2000 as crude, patronizing, and, “in every sense, a sell ou...
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In the following review, Klein considers Brian B. Crowe's 2001 The Comedy of Errors for the New Jersey Shakespeare Festival an excessive farce short on style, but enjoys a few poignant moments ...
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In the following excerpt, Miola provides an overview of the play's sources, genre, characterization, language, and critical reception.
1. Prologue
I can't understand who planned all o...
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In the following essay, Green analyzes the representation of the mother figure within the patriarchal social system of The Comedy of Errors.
I. Mommy's Dearest
To begin with, we live in a si...
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In the following essay, Van Elk relates instances of “misidentification” in The Comedy of Errors to the deliberate trickery represented in Elizabethan rogue literature.
In Plautus...
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In the following excerpt, Whitworth discusses the production history of The Comedy of Errors and the critical controversy over the play's designation as a farce.
Farce, City Comedy and Romanc...
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In the following essay, Brooks compares Adriana in The Comedy of Errors to Kate in The Taming of the Shrew.
The domineering wife has been a popular literary figure from Xantippe to Lichty's ...
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In the following essay, Riehle examines Shakespeare's practice of naming characters as a way of reflecting their inner natures in The Comedy of Errors.
We have seen in the preceding chapters...
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In the following review of the Aquila Theater Company's 2000 staging of The Comedy of Errors, originally published on July 14, 2000, Bruckner claims that Robert Richmond's adaptation not...
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In the following review, Phillips praises director Danny Scheie's 2001 production of The Comedy of Errors at A Noise Within, particularly his use of two actors rather than the usual four to pla...
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In the following review of Joe Jordon's 2001 Sacred Fools Theater staging of The Comedy of Errors, Shirley reports that the production was filled with sight gags and broad humor.
In the Sacr...
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In the following review, Shirley finds Ben Donenberg's 2001 Shakespeare Festival/LA production of a modernized version of The Comedy of Errors lacking in unity despite some capable performances...
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In the following review of the Guthrie Theater's 2002 production of The Comedy of Errors, Green suggests that director Dominique Serrand's interpretation of the play was informed by his ...
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William Shakespeare has written many plays for which he has been deemed one of the greatest playwrights in history. Some may disagree by calling his works simple, the characters underdeveloped and l...
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In the drama 'The Comedy of Errors', Shakespeare creates comic effects by introducing two sets of identical twins.They are Antipholus of Syracuse and Antipholus of Ephesus, Dromio of ephesus and Dromi...
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Teaching The Comedy of Errors
All teaching products sold separately.
The Comedy of Errors Lesson Plans contain 148 pages of teaching material, including:
Ellen Hanley _ a musical-theater performer best-known for playing Fiorello LaGuardia's first wife in the Pulitzer Prize-winning "Fiorello!" _ has died of a stroke after a long battle with cancer. S...
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Mariano Rivera sailed through his first batting practice session. The Yankees closer threw 35 pitches Friday to a hitting group that included Derek Jeter, Johnny Damon, Bobby Abreu and Robinson Can...
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Back when summer actually meant a few months of relaxing and down time to New Yorkers, one of the most treasured rituals was the weekly trip to the neighborhood bookstore, to choose a new book (or ...
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Back when summer actually meant a few months of relaxing and down time to New Yorkers, one of the most treasured rituals was the weekly trip to the neighborhood bookstore, to choose a new book (or ...
Read more