Ernesto Cardenal (born 1925) a Roman Catholic priest, had become a poet of major standing by the end of the twentieth century. His epic works spoke to a proud people of its heritage. They spoke to peo...
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Along with Nicanor Parra and José Emilio Pacheco, Ernesto Cardenal is one of the most renowned poets living in Latin America. Cardenal has established his distinctive mark on poetry during the ...
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In the following essay, Valdés discusses the cinematic images and techniques Cardenal utilizes in his poem "Oráculo sobre Managua."
In commenting on the ethical purpose ...
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In the following essay, Gibbons places Cardenal within the context of Latin American politics and examines the major themes of his political poetry.
Perhaps the subject of political poetry is so in...
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In the essay below, Barrow provides a stylistic and thematic analysis of Cardenal's psalms.
What Anita Brookner has said of Germaine Greer might be applied to the contemporary Latin American...
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In the following essay, Williams analyzes the epic structure and subject matter of El estrecho dudoso, maintaining that the poem is both secular and religious.
Ernesto Cardenal's El estrecho...
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In the following essay, Pring-Mill traces the development of Cardenal's life and poetry, and relates this growth and change to his portrayal of Native American peoples in Homenaje a los indios ...
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Critical Essay by Jack Riemer
A Psalter for those who live in the last third of the twentieth century has to be more than a collection of pretty hymns. It has to be a collection of cries that help to...
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Critical Essay by Jascha Kessler
The Preface to a volume of poems by Ernesto Cardenal, entitled Zero Hour and Other Documentary Poems, says bluntly about the poet that he "is a Catholic Priest...
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Critical Essay by Phoebe Pettingell
The poems of Ernesto Cardenal collected in Zero Hour … will interest many readers in the United States less as poetry than as political commentary. These ve...
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Critical Essay by Harold Jaffe
Except for [Cardenal's] earliest verses which were modeled on Ruben Dario and Neruda, Whitman and Pound are his principal forbears. As with Whitman, there is les...
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Critical Essay by Paul Buhle and Thomas Fiehrer
Cardenal patterned his later work after the texts of Ezra Pound, flawed champion of the "documentary" poem. Behind Pound stood Dante, who...
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Critical Essay by Robert D. Welch
An excellent free verse translation presents … [Cardenal's] poems of lost American Indian civilizations [Homage to the American Indians]. The poetry is...
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Critical Essay by Anne Freemantle
[Cardenal] is both naive and subtle in his notes on Cuba [In Cuba]. It is as if St. Francis of Assisi were jotting things down, and St. Francis Borgia were editing t...
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Critical Essay by Gordon Brotherston
[Cardenal's] first major work, Hora 0 (Zero Hour), and Epigrams, emerge from the 'tropical nights of Central America', an atmosphere thick wi...
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Critical Essay by F. Whitney Jones
[Homage to the American Indian] celebrates the spiritual strengths of the American Indian and confesses the spiritual weaknesses of modern America. In a torrent of ...
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Critical Essay by Gregory Rabassa
In Cuba has been called reportage for want of exact definition. It is more than that. It is the compendium of Cardenal's far-ranging impressions during visits...
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Critical Essay by Isabel Fraire
Upon reading [Ernesto Cardenal's poetry] and being hit on the head by the striking and continuous similarities to Pound's poetry in so much of Cardenal...
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Critical Essay by James J. Alstrum
[Ernesto Cardenal's] long narrative poem, El estrecho dudoso (1966), has not been adequately studied to date as an artistic whole. Like Pablo Neruda …...
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Critical Essay by Robert Pring-mill
All Cardenal's poetry "debunks," "corroborates," and "mediates" reality. His esthetic principles are clearly ethic...
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In the following essay, Cohen compares representations of the United States in the poetry of Cardenal and of the Haitian poet René Depestre.
It is especially important at this particular tim...
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In the following essay, DeHay assesses Cardenal's synthesis of Christianity and Marxism as expressed in the poetry in Salmos.
The Nicaraguan poet Ernesto Cardenal, a Catholic priest and a po...
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In the following review, Galeano describes The Doubtful Strait as an epic poem of Latin America's early colonial history that offers a moral lesson regarding contemporary social struggles.
T...
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In the following essay, Cohen explores the development of Cardenal's sense of social commitment as expressed through his poetry.
Jose Luis Gonzalez-Balado has stressed the importance of the ...
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In the following essay, Valdés examines the development of the theme of prophesy throughout Cardenal's poetry.
In a frequently-cited interview with Ronald Christ in 1974, Ernesto Card...
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In the following essay, Elias discusses the themes of religion and political struggle as expressed through Cardenal's focus on prophecy and Latin-American history in his poetry.
Ernesto Card...
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In the following essay, Schaefer-Rodriguez analyzes Cardenal's response to the Nicaraguan Revolution of 1979 as it is expressed through his poetry.
The events occurring in Nicaragua in the d...
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In the following interview, Cardenal discusses his literary influences, his religious conversion, and his views on Nicaraguan politics.
Ernesto Cardenal has become a legend in his lifetime. More im...
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In the following essay, Gibbons critically examines Cardenal's expression of his political views through his poetry.
Perhaps the subject of political poetry is so inextricable from specific ...
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In the following interview, Cardenal discusses his role as minister of culture in Nicaraguan politics and his opinions on popular culture.
In this modern day it's a vulgarity to call yoursel...
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In the following essay, Williams explores Cardenal's use of historical documents in El estrecho dudoso.
El estrecho dudoso, el poema más largo del autor nicaraguense, Ernesto Cardenal...
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