Double Indemnity
Double Indemnity (1935) is one of the classic, tough-talking murder stories of the late 1930s. Written by controversial mystery novelist James M. Cain (1892-1977), Double Indemnity is...
Read more
Although he disliked the title, James M. Cain (1892-1977) is considered one of the preeminent "hard-boiled" crime writers of the 1930s and 1940s along with Dashiell Hammett, Horace McCoy, and Raymond ...
Read more
"I, so far as I can sense the pattern of my mind, write of the wish that comes true, for some reason a terrifying concept, at least to my imagination. . . . I think my stories have some quality of the...
Read more
Critical Essay by Max Lerner
Cain is known as a novelist of the "hard-boiled" school, but the designation strikes me as covering too many other diverse writers and not saying anything a...
Read more
Her shoes should have warned him. The shoes that Barbara Stanwyck’s Phyllis Dietrichson wears in the 1944 Double Indemnity—pumps with an unsightly ruffle of tulle on the toe, bedroom sl...
Read more
Her shoes should have warned him. The shoes that Barbara Stanwyck’s Phyllis Dietrichson wears in the 1944 Double Indemnity—pumps with an unsightly ruffle of tulle on the toe, bedroom s...
Read more
The American Film Institute's original 1998 list of the top-100 American movies:1. "Citizen Kane," 1941.2. "Casablanca," 1942.3. "The Godfather," 1972.4. "Gone With the Wind," 1939.5. "Lawrence of ...
Read more
The American Film Institute's 2007 list of the top-100 American movies:1. "Citizen Kane," 1941.2. "The Godfather," 1972.3. "Casablanca," 1942.4. "Raging Bull," 1980.5. "Singin' in the Rain," 1952.6...
Read more
Frank Miller and Robert Rodriguez's Sin City, based on Mr. Miller's series of graphic novels, makes it look like we're at the end of Western civilization as we know it. One has only to itemize its ...
Read more
Wes Craven’s Red Eye, from a story by Carl Ellsworth and Dan Foos, happily emerges as the kind of movie that people say Hollywood can’t or won’t make anymore—that is, an eff...
Read more
Wes Craven’s Red Eye, from a story by Carl Ellsworth and Dan Foos, happily emerges as the kind of movie that people say Hollywood can’t or won’t make anymore—that is, an eff...
Read more