The following sections of this BookRags Literature Study Guide is offprint from Gale's For Students Series: Presenting Analysis, Context, and Criticism on Commonly Studied Works: Introduction, Author Biography, Plot Summary, Characters, Themes, Style, Historical Context, Critical Overview, Criticism and Critical Essays, Media Adaptations, Topics for Further Study, Compare & Contrast, What Do I Read Next?, For Further Study, and Sources.
(c)1998-2002; (c)2002 by Gale. Gale is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc. Gale and Design and Thomson Learning are trademarks used herein under license.
The following sections, if they exist, are offprint from Beacham's Encyclopedia of Popular Fiction: "Social Concerns", "Thematic Overview", "Techniques", "Literary Precedents", "Key Questions", "Related Titles", "Adaptations", "Related Web Sites". (c)1994-2005, by Walton Beacham.
The following sections, if they exist, are offprint from Beacham's Guide to Literature for Young Adults: "About the Author", "Overview", "Setting", "Literary Qualities", "Social Sensitivity", "Topics for Discussion", "Ideas for Reports and Papers". (c)1994-2005, by Walton Beacham.
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Vibration is back-and-forth or up-and-down motion in a material or medium. The meaning of the word also includes any periodic physical process, such as the vibration of which we hear as sound, or the cyclical change of intensity of the electric field in a common alternating current circuit. A tuning fork is used for precise emission of a particular audio tone. When struck the fingers of the fork begin to vibrate at the specific frequency to which they are tuned. Such a device causes the air immediately around it to vibrate at a precise frequency. A musical cymbal, on the other hand, while it also vibrates, emits many frequencies, which are dependent upon the size, shape, and composition of the cymbal. While a tuning fork will sound like a pure tone, a cymbal emits a "crash" sound due to the various frequencies at which it vibrates. As materials around the vibrating device and the structural integrity of the device itself resist the vibrations, they slowly subside, causing the vibrations and the sound to eventually stop. A cymbal player during a concert will often help this dampening process along by grabbing the cymbal to stop the sound of it suddenly.
Even more complex vibrations take place when an elastic object, such as a ball is struck (or bounced on the ground), its perimeter begins to vibrate, but not in the symmetrical fashion seen in a tuning fork. Despite this, as with all other types of vibration, the amplitude of the vibration is the maximum distance a surface of the object is displaced and, mathematically, of vibration, while many cases are much more complex than the examples used here, is carried out in the same way no matter whether it be waves of light travelling through the vacuum of space or simple sound waves in air.