The following sections of this BookRags Literature Study Guide is offprint from Gale's For Students Series: Presenting Analysis, Context, and Criticism on Commonly Studied Works: Introduction, Author Biography, Plot Summary, Characters, Themes, Style, Historical Context, Critical Overview, Criticism and Critical Essays, Media Adaptations, Topics for Further Study, Compare & Contrast, What Do I Read Next?, For Further Study, and Sources.
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The following sections, if they exist, are offprint from Beacham's Encyclopedia of Popular Fiction: "Social Concerns", "Thematic Overview", "Techniques", "Literary Precedents", "Key Questions", "Related Titles", "Adaptations", "Related Web Sites". (c)1994-2005, by Walton Beacham.
The following sections, if they exist, are offprint from Beacham's Guide to Literature for Young Adults: "About the Author", "Overview", "Setting", "Literary Qualities", "Social Sensitivity", "Topics for Discussion", "Ideas for Reports and Papers". (c)1994-2005, by Walton Beacham.
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When The Young and the Restless premiered on March 26, 1973, it revolutionized the entire concept of the "soap opera." Historically, the format reflected its roots in radio and, despite its jump to television, was still an aural medium with its primary emphasis on dialogue and story content. The Young and the Restless, however, placed a premium on shadowy, sensuous lighting, intriguing camera angles, and production values that provided a lavish romanticism that appealed to female viewers and, by eroticizing the genre, changed forever the way that "soaps" were photographed. But the series did not rely on style alone. Building from the typical soap opera structure of two intertwining families—one rich (The Brooks, who owned the city newspaper) and one poor (the Fosters)—the show featured the inevitable star-crossed romance. But the show ventured into new areas, providing the first soap opera treatment of an extended rape sequence and the aftermath of a trial. It also dealt with such issues as euthanasia, drugs, obesity, eating disorders, mental illness, and problems of the handicapped.
In the 1980s, the show once again revolutionized the genre by shifting its focus away from its original core families to an entirely new set of younger characters. During the 1990s it continued to introduce mysterious new characters while maintaining the consistency of its vision and of its storylines, a remarkable feat for the genre, which allowed it to keep pace with its traditional competitors and the new programs that debuted during the decade.
La Guardia, Robert. Soap World. New York, Arbor House, 1983.
Schemening, Christopher. The Soap Opera Encyclopedia. New York, Ballantine Books, 1985.