Nerd Look Encyclopedia Article

Nerd Look

The following sections of this BookRags Literature Study Guide is offprint from Gale's For Students Series: Presenting Analysis, Context, and Criticism on Commonly Studied Works: Introduction, Author Biography, Plot Summary, Characters, Themes, Style, Historical Context, Critical Overview, Criticism and Critical Essays, Media Adaptations, Topics for Further Study, Compare & Contrast, What Do I Read Next?, For Further Study, and Sources.

(c)1998-2002; (c)2002 by Gale. Gale is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc. Gale and Design and Thomson Learning are trademarks used herein under license.

The following sections, if they exist, are offprint from Beacham's Encyclopedia of Popular Fiction: "Social Concerns", "Thematic Overview", "Techniques", "Literary Precedents", "Key Questions", "Related Titles", "Adaptations", "Related Web Sites". (c)1994-2005, by Walton Beacham.

The following sections, if they exist, are offprint from Beacham's Guide to Literature for Young Adults: "About the Author", "Overview", "Setting", "Literary Qualities", "Social Sensitivity", "Topics for Discussion", "Ideas for Reports and Papers". (c)1994-2005, by Walton Beacham.

All other sections in this Literature Study Guide are owned and copyrighted by BookRags, Inc.

Nerd Look

The nerd, a distillation of awkward male characteristics of the 1950s, was a social victim and outcast, if probably brainy. In 1985, Life magazine listed nerd traits as including adhesive-tape repaired glasses, high-waisted and high-water "geezer" pants, goofy smile, nerdpak (plastic pocket protector with pencils, pens, slide rule or calculator, etc.). Well equipped, but vulnerable, the nerd manifested physical awkwardness and adolescence. The hapless figure is portrayed by Jerry Lewis in The Patsy (1964). By the 1980s, the nerd has turned into an unlikely hero. Revenge of the Nerds (1984) and sequels and the Broadway play The Nerd (1987), as well as Woody Allen films, and perhaps even the triumph and acceptance of the computer and its young entrepreneurs, valorized the nerd. He was the hero in Italian menswear magazines and assumed television persona in Urkel on the long-running Family Matters. The nerd's triumph is an endearing brain-over-brawn tortoise-over-hare victory.

Further Reading:

Martin, Richard, and Harold Koda, Jocks and Nerds: Men's Style in the Twentieth Century, New York, Rizzoli, 1989.