The following sections of this BookRags Literature Study Guide is offprint from Gale's For Students Series: Presenting Analysis, Context, and Criticism on Commonly Studied Works: Introduction, Author Biography, Plot Summary, Characters, Themes, Style, Historical Context, Critical Overview, Criticism and Critical Essays, Media Adaptations, Topics for Further Study, Compare & Contrast, What Do I Read Next?, For Further Study, and Sources.
(c)1998-2002; (c)2002 by Gale. Gale is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc. Gale and Design and Thomson Learning are trademarks used herein under license.
The following sections, if they exist, are offprint from Beacham's Encyclopedia of Popular Fiction: "Social Concerns", "Thematic Overview", "Techniques", "Literary Precedents", "Key Questions", "Related Titles", "Adaptations", "Related Web Sites". (c)1994-2005, by Walton Beacham.
The following sections, if they exist, are offprint from Beacham's Guide to Literature for Young Adults: "About the Author", "Overview", "Setting", "Literary Qualities", "Social Sensitivity", "Topics for Discussion", "Ideas for Reports and Papers". (c)1994-2005, by Walton Beacham.
All other sections in this Literature Study Guide are owned and copyrighted by BookRags, Inc.
The first television network series to star an African American, Beulah ran on ABC from October 3, 1950 until September 22, 1953. The comic black maid had her beginnings on the 1940s radio series Fibber McGee and Molly where she was originally played by a white male actor. The African American Oscar winner, Hattie McDaniel, took over the role when Beulah was spun off onto her own radio show. The popular series then moved to the fledgling television medium with a new black actress playing Beulah, the noted singer, stage, and screen performer Ethel Waters. Waters left the series after two years and was briefly replaced by McDaniel. Illness forced her to leave the series, and another black actress famous for playing maids, Louise Beavers, took the role in the show's last season. The series followed the gently comic adventures of Beulah, her marriage-resistant male friend, Bill, the Henderson family whom Beulah served, and Beulah's feather-brained friend, also a black maid, Oriole (played first by Butterfly McQueen, then Ruby Dandridge). Debuting a year before the more famous black comedy Amos 'n' Andy, Beulah did not generate the other series' enormous controversy, despite the stereotyped representations of black servants whose lives revolve around their white superiors. In 1951, however, when the NAACP (National Association for the Advancement of Colored People) launched a highly publicized protest against the Amos 'n' Andy television show, the civil rights lobby group included Beulah in its condemnation. The series left the air the same time as Amos 'n' Andy.