Sketches New and Old, Part 3. eBook

This eBook from the Gutenberg Project consists of approximately 55 pages of information about Sketches New and Old, Part 3..

Sketches New and Old, Part 3. eBook

This eBook from the Gutenberg Project consists of approximately 55 pages of information about Sketches New and Old, Part 3..

Riley is full of humor, and has an unfailing vein of irony, which makes his conversation to the last degree entertaining (as long as the remarks are about somebody else).  But notwithstanding the possession of these qualities, which should enable a man to write a happy and an appetizing letter, Riley’s newspaper letters often display a more than earthly solemnity, and likewise an unimaginative devotion to petrified facts, which surprise and distress all men who know him in his unofficial character.  He explains this curious thing by saying that his employers sent him to Washington to write facts, not fancy, and that several times he has come near losing his situation by inserting humorous remarks which, not being looked for at headquarters, and consequently not understood, were thought to be dark and bloody speeches intended to convey signals and warnings to murderous secret societies, or something of that kind, and so were scratched out with a shiver and a prayer and cast into the stove.  Riley says that sometimes he is so afflicted with a yearning to write a sparkling and absorbingly readable letter that he simply cannot resist it, and so he goes to his den and revels in the delight of untrammeled scribbling; and then, with suffering such as only a mother can know, he destroys the pretty children of his fancy and reduces his letter to the required dismal accuracy.  Having seen Riley do this very thing more than once, I know whereof I speak.  Often I have laughed with him over a happy passage, and grieved to see him plow his pen through it.  He would say, “I had to write that or die; and I’ve got to scratch it out or starve.  They wouldn’t stand it, you know.”

I think Riley is about the most entertaining company I ever saw.  We lodged together in many places in Washington during the winter of ’67-8, moving comfortably from place to place, and attracting attention by paying our board—­a course which cannot fail to make a person conspicuous in Washington.  Riley would tell all about his trip to California in the early days, by way of the Isthmus and the San Juan River; and about his baking bread in San Francisco to gain a living, and setting up tenpins, and practising law, and opening oysters, and delivering lectures, and teaching French, and tending bar, and reporting for the newspapers, and keeping dancing-schools, and interpreting Chinese in the courts—­which latter was lucrative, and Riley was doing handsomely and laying up a little money when people began to find fault because his translations were too “free,” a thing for which Riley considered he ought not to be held responsible, since he did not know a word of the Chinese tongue, and only adopted interpreting as a means of gaining an honest livelihood.  Through the machinations of enemies he was removed from the position of official interpreter, and a man put in his place who was familiar with the Chinese language, but did not know any English.  And Riley used to tell about publishing a newspaper up in what is

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Sketches New and Old, Part 3. from Project Gutenberg. Public domain.