For instance, he was quiet and subdued—­his eyes and his voice expressed a restrained sensibility.  He wore (as if there was some hidden connection between his showiest finery and his deepest feeling) the most magnificent waistcoat he has yet appeared in—­it was made of pale sea-green silk, and delicately trimmed with fine silver braid.  His voice sank into the tenderest inflections, his smile expressed a thoughtful, fatherly admiration, whenever he spoke to Laura or to me.  He pressed his wife’s hand under the table when she thanked him for trifling little attentions at dinner.  He took wine with her.  “Your health and happiness, my angel!” he said, with fond glistening eyes.  He ate little or nothing, and sighed, and said “Good Percival!” when his friend laughed at him.  After dinner, he took Laura by the hand, and asked her if she would be “so sweet as to play to him.”  She complied, through sheer astonishment.  He sat by the piano, with his watch-chain resting in folds, like a golden serpent, on the sea-green protuberance of his waistcoat.  His immense head lay languidly on one side, and he gently beat time with two of his yellow-white fingers.  He highly approved of the music, and tenderly admired Laura’s manner of playing—­not as poor Hartright used to praise it, with an innocent enjoyment of the sweet sounds, but with a clear, cultivated, practical knowledge of the merits of the composition, in the first place, and of the merits of the player’s touch in the second.  As the evening closed in, he begged that the lovely dying light might not be profaned, just yet, by the appearance of the lamps.  He came, with his horribly silent tread, to the distant window at which I was standing, to be out of his way and to avoid the very sight of him—­he came to ask me to support his protest against the lamps.  If any one of them could only have burnt him up at that moment, I would have gone down to the kitchen and fetched it myself.

“Surely you like this modest, trembling English twilight?” he said softly.  “Ah!  I love it.  I feel my inborn admiration of all that is noble, and great, and good, purified by the breath of heaven on an evening like this.  Nature has such imperishable charms, such inextinguishable tenderness for me!—­I am an old, fat man—­talk which would become your lips, Miss Halcombe, sounds like a derision and a mockery on mine.  It is hard to be laughed at in my moments of sentiment, as if my soul was like myself, old and overgrown.  Observe, dear lady, what a light is dying on the trees!  Does it penetrate your heart, as it penetrates mine?”

He paused, looked at me, and repeated the famous lines of Dante on the Evening-time, with a melody and tenderness which added a charm of their own to the matchless beauty of the poetry itself.

“Bah!” he cried suddenly, as the last cadence of those noble Italian words died away on his lips; “I make an old fool of myself, and only weary you all!  Let us shut up the window in our bosoms and get back to the matter-of-fact world.  Percival!  I sanction the admission of the lamps.  Lady Glyde—­Miss Halcombe—­ Eleanor, my good wife—­which of you will indulge me with a game at dominoes?”