“Did you write poetry, Master Swift?” said Jan.
“Ay, Jan, of a sort. At one time I worshipped Burns. And then I wrote verses in the dialect of my native place, which, ye must know, I can speak with any man when I’ve a mind,” said Master Swift, unconscious that he spoke it always. “And then it was Wordsworth, for the love of nature is just a passion with me, and it’s that that made the poet Keats a new world to me. Well, well, now I’m telling you how I came here. It was after my wife. She was lady’s-maid to Squire Ammaby’s mother, and the old Squire got me the school. Ah, those were happy days! I was a godless, rough sort of a fellow when she married me, but I became a converted man. And let me tell ye, lad, when a man and wife love god and each other, and live in the country, a bit of ground like this becomes a very garden of Eden.”
“Did your wife like your poetry, sir?” said Jan, on whom the idea that the schoolmaster was a poet made a strong impression.
“Ay, ay, Jan. She was a good scholar. I wrote a bit about that time called Love and Ambition, in the style of the poet Wordsworth. It was as much as to say that Love had killed Ambition, ye understand? But it wasn’t dead. It had only shifted to another object.
“We had a child. I remember the first day his blue eyes looked at me with what I may call sense in ’em. He was in his cradle, and there was no one but me with him. I went on like a fool. ’See thee, my son,’ I said, ’thy father’s been a bad ’un, but he’ll keep thee as pure as thy mother. Thy father’s a poor scholar, but he’s not that dull but what he’ll make thee as learned as the parson. Thy father’s a needy man, a man in a small way, but he and thy mother’ll stick here in this dull bit of a village,