Several members of the Council requested the couples to make way, and Maurice took his partner’s hand and led her on the stage.

The sudden cessation of the music attracted the Emperor’s attention also.  In an instant he perceived what was about to take place, and looked at Barbara.  Her eyes met his, and such a glow of indignation, nay, wrath, so imperious a prohibition flashed from his glance that her flushed cheeks paled, and she strove to withdraw her hand from the duke’s.

But Maurice held it firmly, and at the same moment the city pipers began to play again, and the music streamed forth in full, joyous tones.

The wooing notes fell into her defiant soul like sparks on dry brushwood.  She could not help dancing, though it should be her death.  Already she had begun, and with mischievous joy the thought darted through her mind that now Charles, too, would perceive what anguish lay in the fear of losing those whom we love.

If this grief brought him back to her, she thought, while eagerly following the figures of the dance, she would tend him all her life like a maidservant; if his pride severed the bond between them—­that could not be done, because he loved her—­she must bear it.  Doubtless the conviction forced itself upon her superstitious mind that Fate would be ready to ruin her by the dance, yet she executed what must bring misfortune upon her; to retreat was no longer possible.

These thoughts darted in wild confusion in a few moments through her burning brain, and while Maurice swung her around it seemed as if the music reached her through the roar and thunder of breakers.  The words “Chi la gagliarda vuol imparare” constantly echoed in her ears, mocking, reckless, urging her to retaliation.

The dancing-master, Bernandelli, whom the Council had summoned from Milan to the Danube, had taught her and the other young people of Ratisbon the gagliarde.  The sensible teacher, to suit the taste of the German burghers, had divested the gay dance of its recklessness.  But he had showed his best pupils with how much more freedom the Italians performed the gagliarde, and Barbara had not forgotten the lesson.  Duke Maurice moved and guided her with the same unfettered ease that the little maestro had displayed in former days.  Willing or not, she was obliged to follow his lead, and she did so, carried away by the demands of her excited blood and the pleasure of dancing, so long denied, yet with the grace and perfect ear for time which were her special characteristics.

Neither the Ratisbon citizens nor Charles, who had been a good dancer himself, had ever seen the gagliarde danced in this way by either the gentleman or the lady.  A better-matched couple could scarcely be imagined than the tall, powerful, chivalrous young prince and the beautiful, superbly formed, golden-haired girl who seemed, as it were, carried away by the music.

But Charles did not appear to share the pleasure which the sight of this rare couple and their dancing awakened even in the most envious and austere of the Ratisbon spectators, for when, in a pause, Barbara, with sparkling eyes, glanced first into the duke’s face and then, with a merry look of inquiry, at her lover, she found his features no longer distorted by anger, but disgusted, as though he were witnessing an unpleasant spectacle.