[Note 66:  This very peculiar sound appears to be common among the American Indians, and to be used in a similar manner.—­Vide Catlin, vol. 2. p.136.]

The “Paritke,” or natives inhabiting the scrub north-west of Moorunde, have quite a different form of dancing from the river natives.  They are painted or decorated with feathers in a similar way; but each dancer ties bunches of green boughs round the leg, above the knees, whilst the mode of dancing consists in stamping with the foot and uttering at each motion a deep ventral intonation, the boughs round the knees making a loud rustling noise in keeping with the time of the music.  One person, who directs the others in the movements of this dance, holds in his hands an instrument in the form of a diamond, made of two slight sticks, from two and a half to three feet long, crossed and tied in the middle, round this a string, made of the hair of the opposum, is pressed from corner to corner, and continued successively towards the centre until there is only room left for the hand to hold the instrument.  At each corner is appended a bunch of cockatoo feathers.  With this the chief performer keeps a little in advance of the dancers, and whisking it up and down to the time of the music, regulates their movements.

In another dance, in which women are the chief performers, their bodies are painted with white streaks, and their hair adorned with cockatoo feathers.  They carry large sticks in their hands, and place themselves in a row in front, whilst the men with their spears stand in a line behind them.  They then all commence their movements, but without intermingling, the males and females dancing by themselves.  There is little variety or life in this dance, yet it seems to be a favourite one with the natives.

The women have occasionally another mode of dancing, by joining the hands together over the head, closing the feet, and bringing the knees into contact.  The legs are then thrown outwards from the knee, whilst the feet and hands are kept in their original position, and being drawn quickly in again a sharp sound is produced by the collision.  This is either practised alone by young girls, or by several together for their own amusement.  It is adopted also when a single woman is placed in front of a row of male dancers to excite their passions; for many of the native dances are of a grossly licentious character.  In another figure they keep the feet close together, without lifting them from the ground, and by a peculiar motion of the limbs advance onwards, describing a short semicircle.  This amusement is almost exclusively confined to young females among themselves.