The dances vary a great deal among the different tribes, both as to figures and music; the painting or decoration of their persons, their use of weapons, and the participation of the females in them.  Throughout the entire continent, as far as it is known. there are many points of resemblance in the dances of all the Aborigines, such as the practice of painting the body with white and red ochre, carrying boughs in their hands, or tying them round their limbs; adorning the head with feathers or down, bearing bunches of feathers, tied in tufts in their hands, the women singing and beating time upon folded skins, the men beating time upon sticks or some of their smaller weapons, an old man acting as leader of the band, and giving the time and tune to the others; the dances representing the actions of animals, the circumstances of the chase, of war, or of love; and the singular and extraordinary quivering motion of the thighs when the legs are distended, a peculiarity probably confined to the natives of the continent of Australia.

The most interesting dances are those which take place at the meeting of different tribes.  Each tribe performs in turn, and as there is much rivalry, there is a corresponding stimulus to exertion.  The dances usually commence an hour or two after dark, and are frequently kept up the greater part of the night, the performers becoming so much excited that, notwithstanding the violent exercise required to sustain all their evolutions, they are unwilling to leave off.  It is sometimes difficult to induce them to commence a dance; but if they once begin, and enter into the spirit of it, it is still more difficult to induce them to break up.

The females of the tribe exhibiting, generally sit down in front of the performers, either irregularly, in a line, or a semicircle, folding up their skin cloaks into a hard ball, and then beating them upon their laps with the palm of their hand, and accompanying the noise thus produced with their voices.  It is surprising to see the perfect time that is kept in this way, and the admirable manner in which the motions of the dancers accord with the music.  There is no confusion, irregularity, or mistake.  Each person is conversant with his part; and all exhibit a degree of elasticity and gracefulness in their movements which, in some of the dances, is very striking and beautiful.

In many of the figures, weapons are carried, such as the waddy, the shield, the spear, etc. and in these it is amazing to behold the facility and skill with which they form in close array, spread into open rank, change places, and thread through the mazes of the dance, without ever deranging their plans, or coming in contact with each other.