And, indeed, there was nothing unreasonable in my counting on the highest imaginable receipts, when supported by so great and popular a singer, who, moreover, was returning to Magdeburg on purpose for the event. I consequently acted with reckless prodigality as regards cost, launching out into all manner of musical extravagance, such as engaging an excellent and much larger orchestra, and arranging many rehearsals. Unfortunately for me, however, nobody would believe that such a famous actress, whose time was so precious, would really return again to please a little Magdeburg conductor. My pompous announcement of her appearance was almost universally regarded as a deceitful manoeuvre, and people took offence at the high prices charged for seats. The result was that the hall was only very scantily filled, a fact which particularly grieved me on account of my generous patroness. Her promise I had never doubted. Punctually on the day appointed she reappeared to support me, and now had the painful and unaccustomed experience of performing before a small audience. Fortunately, she treated the matter with great good-humour (which, I learned later, was prompted by other motives, not personally concerning me). Among several pieces she sang Beethoven’s Adelaide most exquisitely, wherein, to my own astonishment, I accompanied her on the piano. But, alas! another and more unexpected mishap befell my concert, through our unfortunate selection of pieces. Owing to the excessive reverberation of the saloon in the Hotel


