How great, then, was my astonishment when one day the current political events of the time enabled me, as it were, to gain a personal experience of the sort of national upheavals with which I had come into distant contact in the course of my proof-correcting. The special editions of the Leipzig Gazette brought us the news of the July Revolution in Paris. The King of France had been driven from his throne; Lafayette, who a moment before had seemed a myth to me, was again riding through a cheering crowd in the streets of Paris; the Swiss Guards had once more been butchered in the Tuileries, and a new King knew no better way of commending himself to the populace than by declaring himself the embodiment of the Republic. Suddenly to become conscious of living at a time in which such things took place could not fail to have a startling effect on a boy of seventeen. The world as a historic phenomenon began from that day in my eyes, and naturally my sympathies were wholly on the side of the Revolution, which I regarded in the light of a heroic popular struggle crowned with victory, and free from the blemish of the terrible excesses that stained the first French Revolution. As the whole of Europe, including some of the German states, was soon plunged more or less violently into rebellion, I remained for some time in a feverish state of suspense, and now first turned my attention to the causes of these upheavals, which I regarded as struggles of the young and hopeful against the old and effete portion of mankind. Saxony also did not remain unscathed; in Dresden it came to actual fighting in the streets, which immediately produced a political change in the shape of the proclamation of the regency of the future King Frederick, and the granting of a constitution. This event filled me with such enthusiasm that I composed a political overture, the prelude of which depicted dark oppression in the midst of which a strain was at last heard under which, to make my meaning clearer, I wrote the words Friedrich und Freiheil; this strain was intended to develop gradually and majestically into the fullest triumph, which I hoped shortly to see successfully performed at one of the Leipzig Garden Concerts.


