The very next thing I must do was to attempt to establish my hopes of a larger income, so sadly doomed hitherto, upon a very much sounder basis. In this respect it occurred to me that I might consult my friend Liszt, and beg him to suggest a remedy for my grievous position. And lo and behold, shortly after those fateful March days, and not long before the completion of my Lohengrin score, to my, very great delight and astonishment, the very man I wanted walked into my room. He had come from Vienna, where he had lived through the ‘Barricade Days,’ and he was going on to Weimar, where he intended to settle permanently. We spent an evening together at Schumann’s, had a little music, and finally began a discussion on Mendelssohn and Meyerbeer, in which Liszt and Schumann differed so fundamentally that the latter, completely losing his temper, retired in a fury to his bedroom for quite a long time. This incident did indeed place us in a somewhat awkward position towards our host, but it furnished us with a most amusing topic of conversation on the way home, I have seldom seen Liszt so extravagantly cheerful as on that night, when, in spite of the cold and the fact that he was clad only in ordinary evening-dress, he accompanied first the music director Schubert, and then myself, to our respective homes. Subsequently I took advantage of a few days’ holiday in August to make an excursion to Weimar, where I found Liszt permanently installed and, as is well known, enjoying a life of most intimate intercourse with the Grand Duke. Even though he was unable to help me in my affairs, except by giving me a recommendation which finally proved useless, his reception of me on this short visit was so hearty and so exceedingly stimulating, that it left me profoundly cheered and encouraged. On returning to Dresden I tried as far as possible to curtail my expenses and to live within my means; and, as every means of assistance failed me, I resorted to the expedient of sending out a circular letter


