to remount the bicycle while surrounded by this evidently mischievous crew; there are about twenty of them, and it requires much self-control to prevent a conflict, in which, I am persuaded, somebody would have been hurt; however, I finally manage to escape their undesirable company and ride off amid a fusillade of stones.  This incident reminds me of Yusuph Effendi’s warning, that even though I had come thus far without a zaptieh escort, I should require one now, owing to the more lawless disposition of the people near the frontier.  Near dark I reach Hassan Kaleh, a large village nestling under the shadow of its former importance as a fortified town, and seek the accommodation of a Persian tchai-khan; it is not very elaborate or luxurious accommodation, consisting solely of tiny glasses of sweetened tea in the public room and a shake-down in a rough, unfurnished apartment over the stable; eatables have to be obtained elsewhere, but it matters little so long as they are obtainable somewhere.  During the evening a Persian troubadour and story-teller entertains the patrons of the tchai-khan by singing ribaldish songs, twanging a tambourine-like instrument, and telling stories in a sing-song tone of voice.  In deference to the mixed nationality of his audience, the sagacious troubadour wears a Turkish fez, a Persian coat, and a Eussian metallic-faced belt; the burden of his songs are of Erzeroum, Erzingan, and Ispahan; the Russians, it would appear, are too few and unpopular to justify risking the displeasure of the Turks by singing any Eussian songs.  So far as my comprehension goes, the stories are chiefly of intrigue and love affairs among pashas, and would quickly bring the righteous retribution of the Lord Chamberlain down about his ears, were he telling them to an English audience.  I have no small difficulty in getting the bicycle up the narrow and crooked stairway into my sleeping apartment; there is no fastening of any kind on the door, and the proprietor seems determined upon treating every subject of the Shah in Hassan Kaleh to a private confidential exhibition of myself and bicycle, after I have retired to bed.  It must be near midnight, I think, when I am again awakened from my uneasy, oft-disturbed slumbers by murmuring voices and the shuffling of feet; examining the bicycle by the feeble glimmer of a classic lamp are a dozen meddlesome Persians.  Annoyed at their unseemly midnight intrusion, and at being repeatedly awakened, I rise up and sing out at them rather authoratively; I have exhibited the marifet of my Smith & Wesson during the evening, and these intruders seem really afraid I might be going to practise on them with it.  The Persians are apparently timid mortals; they evidently regard me as a strange being of unknown temperament, who might possibly break loose and encompass their destruction on the slightest provocation, and the proprietor and another equally intrepid individual hurriedly come to my couch, and pat me soothingly