Then, after a short interval, appeared Portia, a silver arrow in her hair, almost lovely enough for the real Portia; though the alarmed expression in her glowing face was little accordant with the calm dignified self-possession of the noble Venetian heiress.  Nerissa, a handkerchief folded squarely over her head, short petticoats, scarlet lambswool worked into her stockings, and a black apron trimmed with bright ribbon, made a complete little Italian waiting-maid; her quick, pert reply to her lady’s first faltering speech, seemed wonderfully to restore Portia to herself, and they got on well and with spirit through the description of the suitors, and the choice of the two first caskets.  Portia looked excessively dignified, and Nerissa’s by-play was capital.  Whether it was owing to Bassanio’s awkwardness or her own shyness, she did not prosper quite so well when the leaden casket was chosen; Bassanio seemed more afraid of her than rejoiced, and looked much more at Nerissa than at her, whilst she moved as slowly, and spoke in as cold and measured a way, as if it had been the Prince of Morocco who had unfortunately hit upon the right casket.

In the grand concluding scene she was, however, all that could be wished.  She really made a very pretty picture in the dark robes, the glowing carnation of her cheek contrasting with the grey wig, beneath which a few bright ringlets still peeped out; one little white hand raised, and the other holding the parchment, and her eyes fixed on the Jew, as if she either imagined herself Portia, or saw her brother in Antonio’s case, for they glistened with tears, and her voice had a tremulous pleading tone, which fairly made her grandfather and mother both cry heartily.

      “Take, then, thy bond; take thou thy pound of flesh!”

The Duke (little Willy) was in an agony, and was forcibly withheld by Bassanio from crying “No, he shan’t!” Nerissa was so absorbed as even to have forgotten herself; Shylock could hardly keep his countenance up to the necessary expression of malice and obduracy; even Johnny and Dick were hanging with breathless attention on the “but,” when suddenly there was a general start throughout the party; the door opened; Atkins, with a voice and face full of delight, announced “Master Roger,” and there entered a young man, in a pea jacket and worsted comforter.

Such confusion, such rapture as ensued!  The tumultuous welcomes and handshakings before the sailor had time to distinguish one from another, the actors assuming their own characters, grandmamma and Mrs. Roger Langford asking dozens of questions in a breath, and Mr. Roger Langford fast asleep in his great arm-chair, till roused by Dick tugging at his arm, and Willy hammering on his knee, he slowly arose, saying, “What, Roger, my boy, is it you?  I thought it was all their acting!”

“Ah!  Miss Jessie,” exclaimed Roger; “that is right:  I have not seen such a crop of shining curls since I have been gone.  So you have not lost your pink cheeks with pining for me.  How are they all at home?”