The Notebooks of Leonardo Da Vinci — Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 360 pages of information about The Notebooks of Leonardo Da Vinci — Volume 1.

The Notebooks of Leonardo Da Vinci — Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 360 pages of information about The Notebooks of Leonardo Da Vinci — Volume 1.

241.

OF ORDINARY PERSPECTIVE.

An object of equal breadth and colour throughout, seen against a background of various colours will appear unequal in breadth.

And if an object of equal breadth throughout, but of various colours, is seen against a background of uniform colour, that object will appear of various breadth.  And the more the colours of the background or of the object seen against the ground vary, the greater will the apparent variations in the breadth be though the objects seen against the ground be of equal breadth [throughout].

242.

A dark object seen against a bright background will appear smaller than it is.

A light object will look larger when it is seen against a background darker than itself.

243.

OF LIGHT.

A luminous body when obscured by a dense atmosphere will appear smaller; as may be seen by the moon or sun veiled by mists.

OF LIGHT.

Of several luminous bodies of equal size and brilliancy and at an equal distance, that will look the largest which is surrounded by the darkest background.

OF LIGHT.

I find that any luminous body when seen through a dense and thick mist diminishes in proportion to its distance from the eye.  Thus it is with the sun by day, as well as the moon and the other eternal lights by night.  And when the air is clear, these luminaries appear larger in proportion as they are farther from the eye.

244.

That portion of a body of uniform breadth which is against a lighter background will look narrower [than the rest].

[4] e is a given object, itself dark and of uniform breadth; a b and c d are two backgrounds one darker than the other; b c is a bright background, as it might be a spot lighted by the sun through an aperture in a dark room.  Then I say that the object e g will appear larger at e f than at g h; because e f has a darker background than g h; and again at f g it will look narrower from being seen by the eye o, on the light background b c. [Footnote 12:  The diagram to which the text, lines 1-11, refers, is placed in the original between lines 3 and 4, and is given on Pl.  XLI, No. 3.  Lines 12 to 14 are explained by the lower of the two diagrams on Pl.  XLI, No. 4.  In the original these are placed after line 14.] That part of a luminous body, of equal breadth and brilliancy throughout, will look largest which is seen against the darkest background; and the luminous body will seem on fire.

245.

WHY BODIES IN LIGHT AND SHADE HAVE THEIR OUTLINES ALTERED BY THE COLOUR AND BRIGHTNESS OF THE OBJECTS SERVING AS A BACKGROUND TO THEM.

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The Notebooks of Leonardo Da Vinci — Volume 1 from Project Gutenberg. Public domain.