Of course, there is much that is pompous, affected, unreal about the place; the plaster beams, painted to look like oak; the ugly emblazonries; the cruel painted glass; the laboriously collected objects—all these reveal the childish side of Scott, the superficial self which slipped from him so easily when he entered into the cloud.
And then the sight of his last resting-place; the ruined abbey, so deeply embowered in trees that the three dim Eildon peaks are invisible; the birds singing in the thickets that clothe the ruined cloisters—all this made a parable, and brought before one with an intensity of mystery the wonder of it all. The brief life, so full of plans for permanence; the sombre valley of grief; the quiet end, when with failing lips he murmured that the only comfort for the dying heart was the thought that it had desired goodness, however falteringly, above everything.
I can’t describe to you how deeply all this affects me—with what a hunger of the heart, what tenderness, what admiration, what wonder. The very frankness of the surprise with which, over and over again, the brave spirit confesses that he does not miss the delights of life as much as he expected, nor find the burden as heavy as he had feared, is a very noble and beautiful thing. I can conceive of no book more likely to make a spirit in the grip of sorrow and failure more gentle, hopeful, and brave; because it brings before one, with quiet and pathetic dignity, the fact that no fame, no success, no recognition, can be weighed for a moment in the balance with those simple qualities of human nature which the humblest being may admire, win, and display.—Ever yours,
T. B.
Upton,
Shrove Tuesday, Feb. 16, 1904.
Dear Herbert,—One of those incredible incidents has just happened here, an incident that makes one feel how little one knows of human beings, and that truth, in spite of the conscientious toil of Mr. H. G. Wells, does still continue to keep ahead of fiction. Here is the story. Some money is missed in a master’s house; circumstances seem to point to its having been abstracted by one of the boys. A good-natured, flighty boy is suspected, absolutely without reason, as it turns out; though he is the sort of boy to mislay his own books and other portable property to any extent, and to make no great difficulty under pressure of immediate need, and at the last moment, about borrowing some one else’s chattels. On this occasion the small boys in the house, of whom he is one, solemnly accuse him of the theft, and the despoiled owner entreats that the money may be returned. He protests that he has not taken it. The matter comes to the ears of the house-master, who investigates the matter in the course of the evening, and interviews the supposed culprit. The boy denies it again quite unconcernedly and frankly, goes away from the interview, and wandering about, finds the small boys of the house assembled


