Peter: a novel of which he is not the hero eBook

Francis Hopkinson Smith
This eBook from the Gutenberg Project consists of approximately 476 pages of information about Peter.

Peter: a novel of which he is not the hero eBook

Francis Hopkinson Smith
This eBook from the Gutenberg Project consists of approximately 476 pages of information about Peter.
and red damask curtains, and a lounge with a red afghan thrown over it; and last, but by no means least—­in fact it was the most important thing in the sitting-room, so far as comfort was concerned—­there was a big open-hearth Franklin, full of blazing red logs, with brass andirons and fender, and a draught of such marvellous suction that stray scraps of paper, to say nothing of uncommonly large sparks, had been known more than once to have been picked up in a jiffy and whirled into its capacious throat.

Just the very background for dear old Peter, I always said, whenever I watched him moving about the cheery interior, pushing up a chair, lighting a fresh candle, or replacing a book on the shelf.  What a half-length the great Sully would have made of him, with his high collar, white shirt-front and wonderful neck-cloth with its pleats and counterpleats, to say nothing of his rosy cheeks and bald head, the high light glistening on one of his big bumps of benevolence.  And what a background of deep reds and warm mahoganys with a glint of yellow brass for contrast!

Indeed, I have often thought that not only Peter’s love of red, but much of Peter’s quaintness of dress, had been suggested by some of the old portraits which lined the walls of his sitting-room—­his grandfather, by Sully, among them; and I firmly believe, although I assure you I have never mentioned it to any human being before, that had custom permitted (the directors of his bank, perhaps), Peter would not only have indulged in the high coat-collar and quaint neck-cloths of his fathers, but would also have worn a dainty cue tied with a flowing black ribbon, always supposing, of course, that his hair had held out, and, what is more important, always supposing, that the wisp was long enough to hold on.

The one article, however, which, more than any other one thing in his apartment, revealed his tastes and habits, was a long, wide, ample mahogany desk, once the property of an ancestor, which stood under the window in the front room.  In this, ready to his hand, were drawers little and big, full of miscellaneous papers and envelopes; pigeon-holes crammed full of answered and unanswered notes, some with crests on them, some with plain wax clinging to the flap of the broken envelopes; many held together with the gum of the common world.  Here, too, were bundles of old letters tied with tape; piles of pamphlets, quaint trays holding pens and pencils, and here too was always to be found, in summer or in winter, a big vase full of roses or blossoms, or whatever was in season—­a luxury he never denied himself.

To this desk, then, Peter betook himself the moment he had hung his gray surtout on its hook in the closet and disposed of his hat and umbrella.  This was his up-town office, really, and here his letters awaited him.

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Peter: a novel of which he is not the hero from Project Gutenberg. Public domain.