The fair dealing with readers demands of us, that a narrative shall not proceed at slower pace than legs of a man in motion; and we are still but little more than midway across London Bridge.  But if a man’s mind is to be taken as a part of him, the likening of it, at an introduction, to an army on the opening march of a great campaign, should plead excuses for tardy forward movements, in consideration of the large amount of matter you have to review before you can at all imagine yourselves to have made his acquaintance.  This it is not necessary to do when you are set astride the enchanted horse of the Tale, which leaves the man’s mind at home while he performs the deeds befitting him:  he can indeed be rapid.  Whether more active, is a question asking for your notions of the governing element in the composition of man, and of hid present business here.  The Tale inspirits one’s earlier ardours, when we sped without baggage, when the Impossible was wings to imagination, and heroic sculpture the simplest act of the chisel.  It does not advance, ’tis true; it drives the whirligig circle round and round the single existing central point; but it is enriched with applause of the boys and girls of both ages in this land; and all the English critics heap their honours on its brave old Simplicity:  our national literary flag, which signalizes us while we float, subsequently to flap above the shallows.  One may sigh for it.  An ill-fortuned minstrel who has by fateful direction been brought to see with distinctness, that man is not as much comprised in external features as the monkey, will be devoted to the task of the fuller portraiture.

After his ineffectual catching at the volatile idea, Mr. Radnor found repose in thoughts of his daughter and her dear mother.  They had begged him to put on an overcoat this day of bitter wind, or a silken kerchief for the throat.  Faithful to the Spring, it had been his habit since boyhood to show upon his person something of the hue of the vernal month, the white of the daisied meadow, and although he owned a light overcoat to dangle from shoulders at the Opera crush, he declined to wear it for protection.  His gesture of shaking and expanding whenever the tender request was urged on him, signified a physical opposition to the control of garments.  Mechanically now, while doating in fancy over the couple beseeching him, he loosened the button across his defaced waistcoat, exposed a large measure of chest to flaws of a wind barbed on Norwegian peaks by the brewers of cough and catarrh—­horrid women of the whistling clouts, in the pay of our doctors.  He braved them; he starved the profession.  He was that man in fifty thousand who despises hostile elements and goes unpunished, calmly erect among a sneezing and tumbled host, as a lighthouse overhead of breezy fleets.  The coursing of his blood was by comparison electrical; he had not the sensation of cold, other than that of an effort of the elements to arouse him; and so quick was he, through this fine animation, to feel, think, act, that the three successive tributaries of conduct appeared as an irreflective flash and a gamester’s daring in the vein to men who had no deep knowledge of him and his lightning arithmetic for measuring, sounding, and deciding.