Tragic Comedians, the — Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 85 pages of information about Tragic Comedians, the — Volume 1.

Tragic Comedians, the — Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 85 pages of information about Tragic Comedians, the — Volume 1.

He was in her father’s reception-room when she reached home:  he was paying a visit of ceremony on behalf of his family to General von Rudiger; which helped her to remember that he had been expected, and also that his favourite colours were known to be white and scarlet.  In those very colours, strange to tell, Clotilde was dressed; Prince Marko had recognized her by miraculous divination, he assured her he could have staked his life on the guess as he bowed to her.  Adieu to Count Constantine.  Fate had interposed the prince opportunely, we have to suppose, for she received a strong impression of his coming straight from her invisible guardian; and the stroke was consequently trenchant which sent the conquering Tartar raving of her fickleness.  She struck, like fate, one blow.  She discovered that the prince, in addition to his beauty and sweet manners and gift of song, was good; she fell in love with goodness, whereof Count Constantine was not an example:  so she set her face another way, soon discovering that there may be fragility in goodness.  And now first her imagination conceived the hero who was to subdue her.  Could Prince Marko be he, soft as he was, pliable, a docile infant, burning to please her, enraptured in obeying?—­the hero who would wrestle with her, overcome and hold her bound?  Siegfried could not be dreamed in him, or a Siegfried’s baby son-in-arms.  She caught a glorious image of the woman rejecting him and his rival, and it informed her that she, dissatisfied with an Adonis, and more than a match for a famous conqueror, was a woman of decisive and independent, perhaps unexampled, force of character.  Her idea of a spiritual superiority that could soar over those two men, the bad and the good—­the bad because of his vileness, the good because of his frailness—­whispered to her of deserving, possibly of attracting, the best of men:  the best, that is, in the woman’s view of us—­the strongest, the great eagle of men, lord of earth and air.

One who will dominate me, she thought.

Now when a young lady of lively intelligence and taking charm has brought her mind to believe that she possesses force of character, she persuades the rest of the world easily to agree with her, and so long as her pretensions are not directly opposed to their habits of thought, her parents will be the loudest in proclaiming it, fortifying so the maid’s presumption, which is ready to take root in any shadow of subserviency.  Her father was a gouty general of infantry in the diplomatic service, disinclined to unnecessary disputes, out of consideration for his vehement irritability when roused.  Her mother had been one of the beauties of her set, and was preserving an attenuated reign, through the conversational arts, to save herself from fading into the wall.  Her brothers and sisters were not of an age to contest her lead.  The temper of the period was revolutionary in society by reflection of the state of politics, and juniors were sturdy democrats, letting their elders know that they had come to their inheritance, while the elders, confused by the impudent topsy-turvy, put on the gaping mask (not unfamiliar to history) of the disestablished conservative, whose astounded state paralyzes his wrath.

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Tragic Comedians, the — Volume 1 from Project Gutenberg. Public domain.