disproportion between the infinite which kills us
and this nothing that we are, there arises within
us a sensation that is not without grandeur; we feel
that we would rather be crushed by a mountain than
done to death by a pebble, as in war we would rather
succumb beneath the charge of thousands than fall
victim to a single arm. And as our intellect
lays bare to us the immensity of our helplessness,
so does it rob defeat of its sting.” Who
knows? We are already conscious of moments when
the something that has conquered us seems nearer to
ourselves than the part of us that has yielded.
Of all our characteristics, self-esteem is the one
that most readily changes its home, for we are instinctively
aware that it has never truly formed part of us.
The self-esteem of the courtier who waits on the mighty
king soon finds more splendid lodging in the king’s
boundless power; and the disgrace that may befall
him will wound his pride the less for that it has
descended from the height of a throne. Were nature
to become less indifferent, it would no longer appear
so vast. Our unfettered sense of the infinite
cannot afford to dispense with one particle of the
infinite, with one particle of its indifference; and
there will ever remain something within our soul that
would rather weep at times in a world that knows no
limit, than enjoy perpetual happiness in a world that
is hemmed in.
If destiny were invariably just in her dealings with
the wise, then doubtless would the existence of such
a law furnish sufficient proof of its excellence;
but as it is wholly indifferent, it is better so,
and perhaps even greater; for what the actions of the
soul may lose in importance thereby does but go to
swell the dignity of the universe. And loss of
grandeur to the sage there is none; for he is as profoundly
sensitive to the greatness of nature as to the greatness
that lurks within man. Why harass our soul with
endeavour to locate the infinite? As much of
it as can be given to man will go to him who has learned
to wonder.
78. Do you know a novel of Balzac, belonging
to the “Celibataires” series, called Pierrette?
It is not one of Balzac’s masterpieces, but
it has points of much interest for us. It is the
story of an orphaned Breton girl, a sweet, innocent
child, who is suddenly snatched away, by her evil
star, from the grandparents who adore her, and transferred
to the care of an aunt and uncle. Monsieur Rogron
and his sister Sylvia. A hard, gloomy couple,
these two; retired shopkeepers, who live in a dreary
house in the back streets of a dreary country town.
Their celibacy weighs heavily upon them; they are
miserly, and absurdly vain; morose, and instinctively
full of hatred.