the Belverde, and containing the staider and more
conservative members of the Church and nobility; and
the Duchess’s, composed of every fribble and
flatterer, every gamester and rake, every intriguing
woman and vulgar parvenu that can worm a way into
her favour. In such an atmosphere you may fancy
how knowledge thrives. The Duke’s library
consists of a few volumes of theological casuistry,
and her Highness never opens a book unless it be to
scandalise her husband by reading some prohibited
pamphlet from France. The University, since the
fall of the Jesuits, has been in charge of the Barnabite
order, and, for aught I know, the Ptolemaic system
is still taught there, together with the dialectic
of Aristotle. As to science, it is anathema; and
the press being subject to the restrictions of the
Holy Office, and the University closed to modern thought,
but few scholars are to be found in the duchy, save
those who occupy themselves with belles-lettres, or,
like the abate Crescenti, are engaged in historical
research. Pianura, even in the late Duke’s
day, had its circle of lettered noblemen who patronised
the arts and founded the local Arcadia; but such pursuits
are out of fashion, the Arcadia languishes, and the
Bishop of Pianura is the only dignitary that still
plays the Mecaenas. His lordship, whose theological
laxity and coolness toward the Holy Office have put
him out of favour with the Duke, has, I am told, a
fine cabinet of paintings (some of them, it is rumoured,
the very pictures that his Highness ordered to be burnt)
and the episcopal palace swarms with rhyming abatini,
fashionable playwrights and musicians, and the travelling
archeologists who hawk their antiques about from one
court to another. Here you may assist at interminable
disputes as to the relative merits of Tasso and Ariosto,
or listen to a learned dissertation on the verse engraved
on a carnelian stone; but as to the questions now
agitating the world, they are held of less account
than a problem in counterpoint or the construction
of a doubtful line in Ovid. As long as Truth
goes naked she can scarce hope to be received in good
company; and her appearance would probably cause as
much confusion among the Bishop’s literati as
in the councils of the Holy Office.”
The old analogy likening the human mind to an imperfect mirror, which modifies the images it reflects, occurred more than once to Odo during the hunchback’s lively delineation. It was impossible not to remember that the speaker owed his education to the charity of the order he denounced; and this fact suggested to Odo that the other lights and shadows in the picture might be disposed with more art than accuracy. Still, they doubtless embodied a negative truth, and Odo thought it probable that such intellectual diversion as he could hope for must be sought in the Bishop’s circle.


