Who drank more quickly?

Bloom, having the advantage of ten seconds at the initiation and taking, from the concave surface of a spoon along the handle of which a steady flow of heat was conducted, three sips to his opponent’s one, six to two, nine to three.

What cerebration accompanied his frequentative act?

Concluding by inspection but erroneously that his silent companion was engaged in mental composition he reflected on the pleasures derived from literature of instruction rather than of amusement as he himself had applied to the works of William Shakespeare more than once for the solution of difficult problems in imaginary or real life.

Had he found their solution?

In spite of careful and repeated reading of certain classical passages, aided by a glossary, he had derived imperfect conviction from the text, the answers not bearing in all points.

What lines concluded his first piece of original verse written by him, potential poet, at the age of 11 in 1877 on the occasion of the offering of three prizes of 10/-, 5/- and 2/6 respectively for competition by the shamrock, a weekly newspaper?

    An ambition to squint
    at my verses in print
    makes me hope that for these you’ll find room. 
    If you so condescend
    then please place at the end
    the name of yours truly, L. Bloom.

Did he find four separating forces between his temporary guest and him?

Name, age, race, creed.

What anagrams had he made on his name in youth?

    Leopold Bloom
    Ellpodbomool
    Molldopeloob
    Bollopedoom
    Old Ollebo, M. P.

What acrostic upon the abbreviation of his first name had he (kinetic poet) sent to Miss Marion (Molly) Tweedy on the 14 February 1888?

    Poets oft have sung in Rhyme
    of music sweet their praise divine. 
    Let them hymn it nine times nine. 
    Dearer far than song or wine. 
    You are mine.  The world is mine.

What had prevented him from completing a topical song (music by R. G. Johnston) on the events of the past, or fixtures for the actual, years, entitled if Brian Boru could but come back and see old Dublin now, commissioned by Michael Gunn, lessee of the Gaiety Theatre, 46, 47, 48, 49 South King street, and to be introduced into the sixth scene, the valley of diamonds, of the second edition (30 January 1893) of the grand annual Christmas pantomime Sinbad the sailor (produced by R Shelton 26 December 1892, written by Greenleaf Whittier, scenery by George A. Jackson and Cecil Hicks, costumes by Mrs and Miss Whelan under the personal supervision of Mrs Michael Gunn, ballets by Jessie Noir, harlequinade by Thomas Otto) and sung by Nelly Bouverist, principal girl?