Being without property or subvention of any kind, I have to rely for my income upon my operas.  He who has real knowledge of the nature of my works, and who feels and esteems their peculiar and differentiating qualities, must see that I, in my position towards such an institution as our theatre, ought to be entirely relieved from the necessity of making commercial articles of my works.  Any just-minded man must perceive that it would be quite unworthy of me to relinquish my freedom by giving my operas to managers without stipulating for their artistic interest, without choice, without preference for any particular theatre, or even by being compelled to offer them to such managers.  This necessity has already filled me with much painful bitterness, and the worst of it is that even if I suppress my sense of honour to that extent, the receipts accruing to me are of such a nature that they place me, pecuniarily speaking, in a painful and alarming position.  At times those receipts come in plentifully and unexpectedly, and in consequence bring with them all of a sudden perfect security and a certain tempting plenty.  At other times they fall off for a long period and again quite unexpectedly; and this falling off, just because it could not be foreseen, is followed by want, care, and tribulation.  If this is to be mended I must be relieved from the necessity of counting upon these receipts, and be placed in a position which will enable me to look upon them as an accidental increase of resources, which I can employ in adding certain comforts to my existence, and which I am able to dispense with without interfering with my sufficient and settled income, as soon as I find it desirable to withhold my operas from those theatres, the strength or the direction of which does not enable me to credit them with honest zeal for my work.  In this manner, and by the position towards our abominable theatrical institutions thus attained, I should be protected by my contemporaries, and enabled to continue my creations in accordance with my earnest desire and with the peculiarity of my artistic nature.  An ample and fully secured pension can alone do this for me, and only a combination of several German princes whom I have inspired with sympathy can accomplish the desired object.

On such a combination I should have to insist, for the reason, more especially, that this pension, if it is to fulfil its object and to satisfy my somewhat refined and not altogether ordinary wants, must amount to at least 2,000 or 3,000 thalers.  I do not blush in naming such a sum.  My experience of what I want in accordance with my nature, and, perhaps I should add, the nature of my works, teaches me that I cannot well do with less; and on the other hand, it is well known that artists like Mendelssohn (although he was rich), have received equally large honorary salaries from one single quarter.