A Portrait of the Artist as a Young Man eBook

This eBook from the Gutenberg Project consists of approximately 312 pages of information about A Portrait of the Artist as a Young Man.

A Portrait of the Artist as a Young Man eBook

This eBook from the Gutenberg Project consists of approximately 312 pages of information about A Portrait of the Artist as a Young Man.
soul save as a theorem of divine power and love and universality.  So entire and unquestionable was this sense of the divine meaning in all nature granted to his soul that he could scarcely understand why it was in any way necessary that he should continue to live.  Yet that was part of the divine purpose and he dared not question its use, he above all others who had sinned so deeply and so foully against the divine purpose.  Meek and abased by this consciousness of the one eternal omnipresent perfect reality his soul took up again her burden of pieties, masses and prayers and sacraments and mortifications, and only then for the first time since he had brooded on the great mystery of love did he feel within him a warm movement like that of some newly born life or virtue of the soul itself.  The attitude of rapture in sacred art, the raised and parted hands, the parted lips and eyes as of one about to swoon, became for him an image of the soul in prayer, humiliated and faint before her Creator.

But he had been forewarned of the dangers of spiritual exaltation and did not allow himself to desist from even the least or lowliest devotion, striving also by constant mortification to undo the sinful past rather than to achieve a saintliness fraught with peril.  Each of his senses was brought under a rigorous discipline.  In order to mortify the sense of sight he made it his rule to walk in the street with downcast eyes, glancing neither to right nor left and never behind him.  His eyes shunned every encounter with the eyes of women.  From time to time also he balked them by a sudden effort of the will, as by lifting them suddenly in the middle of an unfinished sentence and closing the book.  To mortify his hearing he exerted no control over his voice which was then breaking, neither sang nor whistled, and made no attempt to flee from noises which caused him painful nervous irritation such as the sharpening of knives on the knife board, the gathering of cinders on the fire-shovel and the twigging of the carpet.  To mortify his smell was more difficult as he found in himself no instinctive repugnance to bad odours whether they were the odours of the outdoor world, such as those of dung or tar, or the odours of his own person among which he had made many curious comparisons and experiments.  He found in the end that the only odour against which his sense of smell revolted was a certain stale fishy stink like that of long-standing urine; and whenever it was possible he subjected himself to this unpleasant odour.  To mortify the taste he practised strict habits at table, observed to the letter all the fasts of the church and sought by distraction to divert his mind from the savours of different foods.  But it was to the mortification of touch he brought the most assiduous ingenuity of inventiveness.  He never consciously changed his position in bed, sat in the most uncomfortable positions, suffered patiently every itch and pain, kept away from the fire, remained on his knees all through the mass except at the gospels, left part of his neck and face undried so that air might sting them and, whenever he was not saying his beads, carried his arms stiffly at his sides like a runner and never in his pockets or clasped behind him.

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A Portrait of the Artist as a Young Man from Project Gutenberg. Public domain.