Literary Friends and Acquaintance; a Personal Retrospect of American Authorship eBook

This eBook from the Gutenberg Project consists of approximately 457 pages of information about Literary Friends and Acquaintance; a Personal Retrospect of American Authorship.

Literary Friends and Acquaintance; a Personal Retrospect of American Authorship eBook

This eBook from the Gutenberg Project consists of approximately 457 pages of information about Literary Friends and Acquaintance; a Personal Retrospect of American Authorship.

It is not irrelevant to Clemens to say that Grant seemed to like finding himself in company with two literary men, one of whom at least he could make sure of, and unlike that silent man he was reputed, he talked constantly, and so far as he might he talked literature.  At least he talked of John Phoenix, that delightfulest of the early Pacific Slope humorists, whom he had known under his real name of George H. Derby, when they were fellow-cadets at West Point.  It was mighty pretty, as Pepys would say, to see the delicate deference Clemens paid our plain hero, and the manly respect with which he listened.  While Grant talked, his luncheon was brought in from some unassuming restaurant near by, and he asked us to join him in the baked beans and coffee which were served us in a little room out of the office with about the same circumstance as at a railroad refreshment-counter.  The baked beans and coffee were of about the railroad-refreshment quality; but eating them with Grant was like sitting down to baked beans and coffee with Julius Caesar, or Alexander, or some other great Plutarchan captain.  One of the highest satisfactions of Clemens’s often supremely satisfactory life was his relation to Grant.  It was his proud joy to tell how he found Grant about to sign a contract for his book on certainly very good terms, and said to him that he would himself publish the book and give him a percentage three times as large.  He said Grant seemed to doubt whether he could honorably withdraw from the negotiation at that point, but Clemens overbore his scruples, and it was his unparalleled privilege, his princely pleasure, to pay the author a far larger check for his work than had ever been paid to an author before.  He valued even more than this splendid opportunity the sacred moments in which their business brought him into the presence of the slowly dying, heroically living man whom he was so befriending; and he told me in words which surely lost none of their simple pathos through his report how Grant described his suffering.

The prosperity, of this venture was the beginning of Clemens’s adversity, for it led to excesses of enterprise which were forms of dissipation.  The young sculptor who had come back to him from Paris modelled a small bust of Grant, which Clemens multiplied in great numbers to his great loss, and the success of Grant’s book tempted him to launch on publishing seas where his bark presently foundered.  The first and greatest of his disasters was the Life of Pope Leo XIII, which he came to tell me of, when he had imagined it, in a sort of delirious exultation.  He had no words in which to paint the magnificence of the project, or to forecast its colossal success.  It would have a currency bounded only by the number of Catholics in Christendom.  It would be translated into every language which was anywhere written or printed; it would be circulated literally in every country of the globe, and Clemens’s book agents would carry the prospectuses and then the bound copies

Copyrights
Project Gutenberg
Literary Friends and Acquaintance; a Personal Retrospect of American Authorship from Project Gutenberg. Public domain.