From Ritual to Romance eBook

Jessie Weston
This eBook from the Gutenberg Project consists of approximately 223 pages of information about From Ritual to Romance.

From Ritual to Romance eBook

Jessie Weston
This eBook from the Gutenberg Project consists of approximately 223 pages of information about From Ritual to Romance.

Found in juxtaposition, the Spear upright in the Vase, as in the Bleheris and Balin (both, be it noted, Gawain) forms, their signification is admitted by all familiar with ‘Life’ symbolism, and they are absolutely in place as forming part of a ritual dealing with the processes of life and reproductive vitality.[13]

A most remarkable and significant use of these symbols is found in the ceremonies of the Samurai, the noble warrior caste of Japan.  The aspirant was (I am told still is) admitted into the caste at the age of fourteen, when he was given over to the care of a guardian at least fifteen years his senior, to whom he took an oath of obedience, which was sworn upon the Spear.  He remained celibate during the period covered by the oath.  When the Samurai was held to have attained the degree of responsibility which would fit him for the full duties of a citizen, a second solemn ceremony was held, at which he was released from his previous vows, and presented with the Cup; he was henceforth free to marry, but intercourse with women previous to this ceremony was at one time punishable with death.[14]

That Lance and Cup are, outside the Grail story, ‘Life’ symbols, and have been such from time immemorial, is a fact; why, then should they not retain that character inside the framework of that story?  An acceptance of this interpretation will not only be in harmony with the general mise-en-scène, but it will also explain finally and satisfactorily, (a) the dominant position frequently assigned to the Lance; (b) the fact that, while the Lance is borne in procession by a youth, the Grail is carried by a maiden—­the sex of the bearer corresponds with the symbol borne.[15]

But Lance and Cup, though the most prominent of the Symbols, do not always appear alone, but are associated with other objects, the significance of which is not always apparent.  Thus the Dish, which is sometimes the form assumed by the Grail itself, at other times appears as a tailléor, or carving platter of silver, carried in the same procession as the Grail; or there may be two small tailléors; finally, a Sword appears in varying rôles in the story.

I have already referred to the fact, first pointed out by the late Mr Alfred Nutt,[16] that the four treasures of the Tuatha de Danann correspond generally with the group of symbols found in the Grail romances; this correspondence becomes the more interesting in view of the fact that these mysterious Beings are now recognized as alike Demons of Fertility and Lords of Life.  As Mr Nutt subsequently pointed out, the ‘Treasures’ may well be, Sword and Cauldron certainly are, ‘Life’ symbols.

Of direct connection between these Celtic objects and the Grail story there is no trace; as remarked above, we have no Irish Folk or Hero tale at all corresponding to the Legend; the relation must, therefore, go back beyond the date of formation of these tales, i.e., it must be considered as one of origin rather than of dependence.

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From Ritual to Romance from Project Gutenberg. Public domain.