The French Immortals Series — Complete eBook

This eBook from the Gutenberg Project consists of approximately 5,292 pages of information about The French Immortals Series — Complete.

The French Immortals Series — Complete eBook

This eBook from the Gutenberg Project consists of approximately 5,292 pages of information about The French Immortals Series — Complete.

On hearing this, I am possessed suddenly with extreme vexation that I should have made up my mind so quickly to link myself in ever so fleeting and transient a manner with this little creature, and dwell with her in this isolated house.

We return to the room; she is the centre of the circle and seated; and they have placed the aigrette of flowers in her hair.  There is actually some expression in her glance, and I am almost persuaded that she—­this one—­thinks.

Yves is astonished at her modest attitude, at her little timid airs of a young girl on the verge of matrimony; he had imagined nothing like it in such a connection as this, nor I either, I must confess.

“She is really very pretty, brother,” said he; “very pretty, take my word for it!”

These good folks, their customs, this scene, strike him dumb with astonishment; he can not get over it, and remains in a maze.  “Oh! this is too much,” he says, and the idea of writing a long letter to his wife at Toulven, describing it all, diverts him greatly.

Chrysantheme and I join hands.  Yves, too, advances and touches the dainty little paw.  After all, if I wed her, it is chiefly his fault; I never should have remarked her without his observation that she was pretty.  Who can tell how this strange arrangement will turn out?  Is it a woman or a doll?  Well, time will show.

The families, having lighted their many-colored lanterns swinging at the ends of slight sticks, prepare to retire with many compliments, bows, and curtseys.  When it is a question of descending the stairs, no one is willing to go first, and at a given moment, the whole party are again on all fours, motionless and murmuring polite phrases in undertones.

“Haul back there!” said Yves, laughing, and employing a nautical term used when there is a stoppage of any kind.

At length they all melt away, descending the stairs with a last buzzing accompaniment of civilities and polite phrases finished from one step to another in voices which gradually die away.  He and I remain alone in the unfriendly, empty apartment, where the mats are still littered with the little cups of tea, the absurd little pipes, and the miniature trays.

“Let us watch them go away!” said Yves, leaning out.  At the door of the garden is a renewal of the same salutations and curtseys, and then the two groups of women separate, their bedaubed paper lanterns fade away trembling in the distance, balanced at the extremity of flexible canes which they hold in their fingertips as one would hold a fishing-rod in the dark to catch night-birds.  The procession of the unfortunate Mademoiselle Jasmin mounts upward toward the mountain, while that of Mademoiselle Chrysantheme winds downward by a narrow old street, half-stairway, half-goat-path, which leads to the town.

Then we also depart.  The night is fresh, silent, exquisite, the eternal song of the cicalas fills the air.  We can still see the red lanterns of my new family, dwindling away in the distance, as they descend and gradually become lost in that yawning abyss, at the bottom of which lies Nagasaki.

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The French Immortals Series — Complete from Project Gutenberg. Public domain.