to remove those whom she had duped.  The shocking anecdote of the Sardinian secretary, whom she swindled out of nearly a hundred thousand roubles, and on whom she afterwards persuaded her Imperial lover to inflict capital punishment, is too recent and too public to be unknown or forgotten.  A Russian nobleman has assured me that the number of unfortunate individuals whom her and her husband’s intrigues have caused to suffer capitally during 1800 and 1801 was forty-six; and that nearly three hundred persons besides, who could not or would not pay their extortionate demands, were exiled to Siberia during the same period of time.

You may, perhaps, think that a low woman who could produce such great and terrible events, must be mistress of natural charms, as well as of acquired accomplishments.  As I have already stated, she can have no pretensions to either, but she is extremely insinuating, sings tolerably well, has a fresh and healthy look, and possesses an unusually good share of cunning, presumption, and duplicity.  Her husband, also, everywhere took care to make her fashionable; and the vanity of the first of their dupes increased the number of her admirers and engaged the vanity of others in their turn to sacrifice themselves at her shrine.

The immorality of our age, also, often procured her popularity for what deserved, and in better times would have encountered, the severest reprobation.  In 1797, an emigrant lodged at an inn at Hamburg where another traveller was robbed of a large sum in ready money and jewels.  The unfortunate is always suspected; and in the visit made to his room by the magistrates was found a key that opened the door of the apartment where the theft had been committed.  In vain did he represent that had he been the thief he should not have kept an instrument which was, or might be, construed into an argument of guilt; he was carried to prison, and, though none of the property was discovered in his possession, would have been condemned, had he not produced Madame Chevalier, who avowed that the key opened the door of her bedroom, which the smith who had made it confirmed, and swore that he had fabricated eight keys for the same actress and for the same purpose.

At that time this woman lived in the same house with her husband, but cohabited there with the husband of another woman.  She had also places of assignation with other gallants at private apartments, both in Hamburg and at Altona.  All these, her scandalous intrigues, were known even to the common porters of these cities.  The first time, after the affair of the key had become public, she acted in a play where a key was mentioned, and the audience immediately repeated, “The key! the key!” Far from being ashamed, she appeared every night in pieces selected by her, where there was mention of keys, and thus tired the jokes of the public.  This impudence might have been expected from her, but it was little to be supposed that her barefaced vices should, as really was the case, augment the crowd of suitors, and occasion even some duels, which latter she both encouraged and rewarded.